Concludes that television viewing and adolescent audiences' perceptions of program reality are strongly related. (FL)

Describes patterns of exposure and motivation of adolescent sample group. Correlates findings with race, gender, involvement with peers, attitude toward school, and other personal circumstances. (MS)

Concludes that adolescent aggression increases with perceived reality of television violence. (FL)

Examines adolescents' television viewing motives, activities, and satisfaction, in an attempt to integrate the audience activity construct into the uses and gratifications model. Suggests that more strongly motivated viewers engage more actively in various audience activities throughout the viewing process and receive greater viewing satisfaction…

This study investigated Israeli adolescents' differential perceptions of social conflicts in the "real" world and in television news. Overall results suggest that, when asked to do so, adolescents are able to differentiate between the social conflicts and their symbolic representations in television news. (PD)

A ten-year study of television viewing and content found that middle level students watch more television than any other age group. They are exposed to violence, sex, use of drugs, and sex role socialization in many programs. Schools can help students become discriminating consumers of television. (MLF)

Replies to Paul Hirsch's rejoinder to Gerbner et al's findings on cultivation analysis. (See EJ 240 175-177.) Addresses the use of the National Opinion Research Center/ General Social Surveys. Concludes that Hirsch's appraisal of cultivation theory and his reasons for rejecting the concepts of mainstreaming and resonance are unwarranted and…

Among the findings from a survey of 435 third-through seventh-grade children is that substantial numbers of children watch television news in formats designed for both adults and children, that children believe news is produced to serve a number of different functions, and that they receive different patterns of gratifications from viewing. (GT)

Argues that there is no principled way to distinguish between the language used in the television program "Scared Straight" and that used by comedian George Carlin on radio station WBAI-FM, ruled indecent by the Supreme Court in "FCC v. Pacifica Foundation." (FL)

Presents a cognitive-functional explanation of television's influence on Anglo-American, Native American, and Hispanic adolescents' acceptance of values. Finds that adolescents accepted values observed in television when they recognized them (a measure of learning) and when they evaluated the values to be important in "being successful" in the…

Studied how children (N=60) understand social interaction portrayed on television, and how their understanding changes with age. Results showed younger viewers structured televised content in terms of overt descriptive features, action, and literal repetition of dialogue; older children considered inferential aspects of social interaction and…

Examines the portrayal of intimate sexual behavior on soap operas and concludes that soap operas have more sexual content than do prime-time programs, but the types of intimacies differ. Notes that soap operas are potentially a major force in the transmission of values and sexual information to youthful viewers. (PD)

Assesses the extent and nature of sexual behavior in daytime soap operas. Concludes that soap operas can be assumed to be presenting a distorted picture of sexual behavior in America, particularly in the ratio of married to unmarried sexual behavior. Suggests that steady viewing may influence young viewers' attitudes and values. (PD)

Annual progress report sums up findings suggesting that fear and inequity may be television's most pervasive lessons. 1978 Index shows violence up in children's hours. (PD)

Tested hypotheses that action/adventure characters are perceived by teenagers as likely to engage in antisocial conflict resolution; situation comedy/family drama characters, in prosocial modes. Also tested was hypothesis that, as favorite character's perceived use of a mode increases, so does the viewer's intention to use the same mode. (SW)