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Jennifer M. Farrell – ProQuest LLC, 2024
This study examines the educational journey and professional challenges faced by performing artists holding a Bachelor of Fine Arts (BFA) degree. Utilizing an Interpretative Phenomenological Analysis (IPA) methodology, the research delves into the lived experiences of ten BFA holders in the performing arts, exploring their motivations, career…
Descriptors: Theater Arts, Fine Arts, Acting, Dance
Peer reviewed Peer reviewed
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Tsang, Samuel C. S.; Lam, Chi Ying; Cheng, Lee – Language and Intercultural Communication, 2022
This paper reports findings from a case study of an interactive theatre for young ethnic minority pupils in Hong Kong. Drawing upon Higgins's (1966) notion of 'intermedia' as a configurational principle, this creative project entails collaboratively-designed performances with elements of drama, music, dance, puppetry, and language learning…
Descriptors: Foreign Countries, Fine Arts, Theater Arts, Acting
Frankel, Edith, Comp. – 1978
This annotated library guide to theater materials is divided into several separate sections. The first part, dealing with the subject as a whole, includes bibliographies; periodicals; indexes and abstracts; encyclopedias and dictionaries; yearbooks; directories; histories, biographies, and reviews; and dramatic literature. The second part lists…
Descriptors: Acting, Annotated Bibliographies, College Libraries, Dance
Johnson, Albert and Bertha – 1969
This book with a three-part format contains information which the would-be thespian needs to know for maximum enjoyment and success in stage activities. The first part, "Heritage," traces the history and development of the theater from primitive ritual through the drama of classical Greece and Rome, the Renaissance, and modern Europe and America,…
Descriptors: Acoustical Environment, Acting, Characterization, Creative Dramatics
Peer reviewed Peer reviewed
Campbell, Paul Newell – Central States Speech Journal, 1981
Develops the argument that considering theatrical performances to be rhetorical transactions between actors and audiences is both inappropriate and critically unprofitable. (See EJ 240 170-173.) (PD)
Descriptors: Acting, Audiences, Dance, Drama
Pronko, Leonard C. – Educational Theatre Journal, 1971
For the first time in the history of Japanese theatre, a training program has been developed to prepare young men outside the kabuki families for careers in this very rigorous and demanding form of theatre. (Author)
Descriptors: Acting, Dance, Educational Programs, Music
Peer reviewed Peer reviewed
Litvinoff, Valentina – Journal of Aesthetic Education, 1975
Article described a course taught at a university department of theater that was designed to deepen our cognizance of the potential of the human body as a dance instrument as it widened our knowledge of dance in the context of human history. (Author/RK)
Descriptors: Acting, Aesthetic Education, Course Descriptions, Dance
Howard, James R.; Greenwald, Herbert J. – 1972
The effect of lecture-demonstrations and workshops on changing elementary school children's attitudes toward drama (acting), music, dance and opera is the focus of this experimental report. Three self-report interest scales and a peer interest rating were administered in a pretest post-test format. The results indicated only slight attitude change…
Descriptors: Acting, Attitude Change, Dance, Elementary Education
Norris, Lynne – 1978
Reference materials that deal with various aspects of theater movement are grouped in this partially annotated bibliography under the following headings: anatomy, kinesiology, and physiology; combat and martial arts; integrated approaches to movement; mime; miscellaneous acting and movement approaches; movement notations systems; movement…
Descriptors: Acting, Anatomy, Annotated Bibliographies, Body Language
Marshman, Roger – Opinion, The Journal of the South Australian English Teachers' Assn., 1967
Stimulating and enjoyable dramatic activities in the classroom can nurture children's natural sympathies with drama. Re-acting a portion of a second-rate television show can help children become more perceptive critics and prepare them to view better drama that the teacher could bring to the classroom. Free, creative rhythmic movement allows…
Descriptors: Acting, Creative Activities, Creative Dramatics, Dance
Magidson, David J. – 1983
Attempts to apply elements of Japanese theatre to western productions, though commendable, are frequently unsuccessful. Effective use of the Japanese theatre's acting or production techniques requires knowledge of the forces producing its specific styles and techniques. Noh and Kabuki drama harmonize music, dance, and drama to create an awareness…
Descriptors: Acting, Aesthetic Values, Cultural Context, Cultural Differences
Beane, Mildred B. – 1989
Ideas and suggestions are presented on how to develop student thinking skills in the performing arts. Performing arts include music, dance and movement, drama and theater. The examples of arts focusing on performance given in this monograph are intended to be merely representative, and teachers are encouraged to apply the concepts to their own…
Descriptors: Acting, Creative Thinking, Critical Thinking, Curriculum
California State Dept. of Education, Sacramento. – 1974
The material in this publication outlines ways in which drama/theatre may be used to help students develop their imagination and their communication skills. This framework presents a process-concept organization which spans the grade levels fron kindergarten through twelfth grade and which provides guidelines for determining expectancies for…
Descriptors: Acting, Communication Skills, Creative Dramatics, Curriculum Guides
Peer reviewed Peer reviewed
Moss, Gloria Siegel – Children's Theatre Review, 1981
Describes a program which has incorporated effective and enduring arts education practices since 1937. Available from American Theatre Assoc., 1000 Vermont Ave., N.W., Washington, D.C. 20005; single copy $4.00. (PD)
Descriptors: Acting, Adolescents, Art Education, Arts Centers
Balfe, Judith Huggins; Meyersohn, Rolf – 1995
Based on 1982 and 1992 surveys sponsored by the National Endowment for the Arts, this report examines participation in seven core art forms by baby boomers, individuals born between 1946 and 1965. Art forms investigated were: classical music concerts; jazz concerts; operas; musicals; ballet performances; theatre; and museums. Findings indicate…
Descriptors: Acting, Art, Artists, Audience Participation
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