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Manfredi de Bernard; Roberta Comunian; Sarah Jewell; Elisa Salvador; Dave O'Brien – Industry and Higher Education, 2024
This paper reflects on the systematic interconnections between creative workers and higher education institutions (HEIs). Despite the latter representing key intermediaries in creative industries' development and creative workers' career trajectories, the relationship between the two has rarely been framed in a relational and systemic framework.…
Descriptors: Foreign Countries, College Graduates, Drama Education, Acting
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Savrami, Katia – Research in Dance Education, 2016
Since the establishment of Acting Studies, movement has always been a part of actor training. In the current vocational training institutions in the UK, movement for actors covers a wide range of subjects, including dance, somatics and movement practices. The aim of this research was to collect information about the dance techniques considered…
Descriptors: Foreign Countries, Dance Education, Psychomotor Skills, Acting
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Shah, Sonali; Wallis, Mick; Conor, Fiona; Kiszely, Phillip – Research Papers in Education, 2015
The transfer of disability history research to new generation audiences is crucial to allow lessons from the past to impact the future inclusion and equality agenda. As today's children are the policy makers and the legislators of tomorrow, it is important for them to have opportunities to engage with disability life story narratives to understand…
Descriptors: Foreign Countries, Disabilities, Teaching Methods, History
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Dacre, Kathy; Bulmer, Alex – Research in Drama Education, 2009
In autumn 2006 the Arts Council England set up the "Into the Scene" project in order to increase the number of disabled and deaf theatre practitioners graduating from accredited training courses and to increase the quality of their experience. A team from Graeae, the disabled-led theatre company that profiles the skills of actors,…
Descriptors: Theater Arts, Foreign Countries, Special Needs Students, Inclusive Schools