Identifies metacommunication strategies with which preschool children negotiate meanings during dramatic play. Finds behaviors ranging from those which overtly expose the play frame to those which operate within the play frame. Proposes a system of implicit rules, indigenous to the child culture, which guide choice of strategy. (SR)

Discusses the "socio-play" philosophy of drama education as practiced in the Soviet Union. Outlines the basic structure of the Soviet educational system. Recounts a Soviet educator's practice of socio-play philosophy. (SR)

Notes the effect child protagonists can have on adult viewers of a play because adult audiences can be reminded of the helplessness of childhood. (JC)

Discusses arts based research/alternative forms of representation. Discusses creating drama as a form of research and describes the author's own work in "collective creation/play building" with a research based Theatre-In-Education program to demonstrate that some of the practices employed in educational drama can be considered a…

Explores the beliefs of an elementary school teacher who consistently used drama in her classroom. Finds that the use of drama is contingent on the teacher's beliefs about the kinds of support provided within the school, about the value of drama, and about her own ability to structure effective drama experiences. (SR)

Discusses "socio-play," an innovative Soviet educational philosophy geared to developing individual and group creativity using theatrical techniques in the classroom. Describes how to use several theatrical games and acting techniques in the classroom, and discusses results. (SR)

States that the need for developing creative thinking is currently seen as one of the most pressing needs in the Soviet Union. Describes an innovative aesthetic elementary education program in which students, teachers, and parents work together. (SR)

Describes a research project that focused on the work of a teacher and students in an afterschool drama class during two academic years. Explores the development of the researchers' and the teacher's increased understandings about effective processes for story development in dramatic contexts. (SR)

Summarizes a dissertation that examines the theory and practice of dramatic play among middle school children. Finds that they are still adept and interested in dramatic play. Discusses four components describing the nature and product of the dramatic process (social interactions, metacognitive strategies, ideational processes, and content of…

Summarizes the author's dissertation following a group of bilingual first graders as they created an opera with their teacher and an artist-in-residence. Summarizes the opera process using the libretto format. Discusses the setting, perspectives of all of the collaborators, what was learned, and the educational implications. (SR)

Examines the nature of children's creative drama in different cultures (English speaking, Chinese, and Amerindian) through a case study approach. Details other research items that modified and amplified this study. Describes some substantive outcomes and provides indicators for subsequent ethnographic research in the field. (MS)

Examines discourse patterns in playmaking to see if they differ from those found in more traditional settings. Indicates that playmaking can foster students' empathy, utilize their logic and creativity, and provide them with the experience of working in a group to a common end. (JD)

Explores the implications of envisioning theater and drama in education as a "laboratory for learning," citing that Theatre-In-Education fits the laboratory model by integrating formal theater as aesthetic experience with informal drama as a learning medium. (MM)

Includes an annotated bibliography of documents in the ERIC system that (1) provide insight on the value of role playing and dramatic play in the classroom and (2) suggest a variety of classroom activities that use improvisation as tool to help children retain ideas, emotions, or any academic lessons. (JD)

Describes a case study which collected journals from, interviewed, and observed 23 children as they participated in a 6-week creative drama workshop using the Rutgers Imagination Method. Finds improvement in specific areas of learning, including vocabulary, imagery abilities, and dramatic behavior. (SR)