Addresses the problem of writing and producing plays that do not meet the needs of a multicultural audience with varied backgrounds and values. (JC)

Relates how the Jesuits made the performance of plays integral to the curriculum of their schools. Reveals Jesuit rationales: (1) theater permitted them to accomplish their mission of propagating the faith; (2) public performances served as excellent publicity for their schools; and (3) theater could educate students who participated as no other…

Summarizes drama education research presented at the 1989 International Drama Education Research Symposium in Toronto, Canada. Explores the scope and breadth of current international research and inquiry in the field. (SR)

Summarizes the author's doctoral dissertation research--a longitudinal, multi-case study of drama practices at the tenth-grade level in a Catholic secondary school for girls. Examines the ways drama education engages girls' experiences and personal/cultural knowledge and expands the perspectives and discourses available to them. Offers strong…

Reflects on the state of the arts in general and theatre arts in particular. Examines the role of controversy in the arts; discusses "elitism," issues of diversity and being committed to community. Argues that deep, substantive discussions are needed on the value to society of the arts and the values that the arts uphold and exemplify. (SR)

Profiles how and why a White, upper-middle-class teacher who was trained in aspects of play production and theater education changed her conception of educational drama as she worked in an inner-city magnet school with impoverished, inner-city Hispanic youth. Discusses culture shock, cross-cultural functioning, and survival in terms of ethos, gang…