Using works of art with young children is a perfect way to bridge the gap between art activities that are too open or too closed. Teachers of young children sometimes try to find a middle ground by allowing free painting time at an easel in addition to recipe-oriented activities such as putting together precut shapes to create a spider or an apple…

Discusses the renewed interest in clay as a modeling compound in early childhood programs; describes the nature of clay and presents a working vocabulary. Suggests methods of working with clay, including introducing clay to children, discovering its uses, clean up, firing clay, and finishing baked clay. Includes activity suggestions and…

Offers practical advice for teaching art in early childhood classrooms. Encourages respect for children's individual artistic style. Discusses paints and markers, blocks, fingerpaints, bubbles, collages, and other art materials. Includes recipes for fingerpaint. (GH)

Provides classroom examples of appropriate methods for extending art understanding through discussion. Suggests that teachers can easily foster art appreciation through nondirective means; the children can then select what is important to them and thereby begin to build their own personal store of imagery, which can lead to enhanced learning in…

Describes art as a symbolic language as implemented in Reggio Emilia, Italy, preschools and adapted in U.S. schools. Considers the beauty of the classroom environment, use of materials and tools, use of observation of the child as the source of the curriculum, child-centered planning, teacher-child interaction to guide development of graphic…

Examines children's art creations in a child care center in Reggio Emilia in northern Italy. Suggests that, to produce art, children need many interesting experiences in classroom and community, as well as encouragement to think, talk, and create art in response to their experiences. Under such circumstances, their art is as intriguing and…