Argues that classic authors can and should still be kept at the center of the literature curricula in the middle school. Uses Leo Tolstoy as an example, describing briefly some of Tolstoy's works that are especially appropriate for early middle school readers, later middle schoolers of average reading ability, and the most able middle school…

Encourages the idea of cross-generational shared reading experiences. Presents annotations (written by students) of 12 titles. Notes that almost half of the books that are featured have been around for a while, and yet they are still fresh for new readers. (SG)

Offers brief descriptions of 17 books of nonfiction that will inform and entertain, and that middle schoolers will enjoy when they want some information and want to know about the workings and wonders of the world and the people in it. (SR)

Describes why technology will be the author's essential carry-on luggage into the new millennium. (SR)

The author of "Candy" talks about the reality that a book is only paper until someone has read it and responded to it emotionally. "When I write a book it's alive in my head, but it only really comes alive when it finds a life in someone else's head." His essay is followed by a chapter from "Candy."

Just watch your characters and tell the story of what they're thinking and doing. It sounds easy, but Adoff confides that he becomes attached to his characters in the process of living in their heads, and sometimes awakens wondering if they're okay. It's that level of intimate storytelling that he hopes will connect with readers, allowing them to…

"[Teen literature] is the only genre of writing that is connected not by theme or style, but by an emotional stage of the reader and characters that populate the stories." Brian James embraces the complexity and unpredictability of his teen characters in hopes that readers will discover something about themselves in a confusing time of life. We…

In this article, the author describes how he successfully taught gay rights in his middle school class. He also relates how he finally came out with his real sexuality to his students. He also describes how a stuttering student named Malcolm explained to one of his classmate the reason why his teacher felt a need to reveal his true sexuality. An…

When the authors realized that successful book selection is not a natural skill for all learners, they developed a tool to support self-selection of independent reading material without book leveling. This tool is called BOOKMATCH, and it supports readers for whom book selection is "complicated." BOOKMATCH is an acronym in which each letter…

Explains that homophones, homographs, and homonyms provide opportunities rather than obstacles in learning. Notes that the verbal art form of puns depends mightily on homophones, homographs, and homonyms. Provides a sampling of resources that explore homophones, homographs, and homonyms. (PM)

Describes how the author discovered practical, accessible ways of talking with her seventh and eighth graders about the considerations and decisions of fiction writers. Appends a fiction writing handbook. (SR)

Presents an activity to connect language arts, social studies, and technology in a meaningful way while encouraging students not only to read for details but to "read between the lines" and draw conclusions about a historical figure's inner thoughts and personality. Notes that the biopoem is a simple 10-line poem with a specific, easy-to-follow…

Suggests that if adolescents are going to get hooked on poetry and read and write more than an occasional sample, they need to have teachers share with them poetry they will enjoy. Considers a study by Karen Kutiper of middle school student poetry preference. Presents conclusions from this study along with a list of the 25 most popular poems. (SG)

Examines ideas about the literate and the illiterate, the tutored and the untutored in the poem "Answer," by Mary Oliver. Suggests that if educators want students to read carefully and analyze conscientiously, then the works they study have to matter to them. Discusses universal literacies, literacy in school and out, classroom discourse and real…

Outlines how the author and her fellow history teacher used kamishibai storyboards (a type of folk art common in Japan before World War II) in an integrated unit on Egypt to make textbook reading more meaningful to students. Notes that in order to complete the unit, students had to use multiple literacy skills as they combined textbook reading…