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| Art History | 7 |
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| Poetry | 6 |
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| Visible Language | 7 |
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| Aguiar, Fernando | 1 |
| Barasch, Moshe | 1 |
| Gutierrez, Pedro Juan | 1 |
| Menezes, Philadelpho | 1 |
| Minarelli, Enzo | 1 |
| Padin, Clemette | 1 |
| Polkinhorn, Harry | 1 |
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| Journal Articles | 7 |
| Opinion Papers | 6 |
| Reports - Evaluative | 1 |
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| Italy | 2 |
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Peer reviewedMenezes, Philadelpho – Visible Language, 1993
Presents a discussion of visual poetry in Brazil and 14 examples of visual poetry. Includes 11 selected resources arranged by date and brief biographies of the 14 visual poets. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedGutierrez, Pedro Juan – Visible Language, 1993
Presents a discussion of the history of visual poetry in Cuba and nine examples of visual poetry. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedMinarelli, Enzo – Visible Language, 1993
Presents a discussion of visual poetry in Italy and eight examples of visual poetry. Includes 18 selected resources arranged by date. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedAguiar, Fernando – Visible Language, 1993
Presents a discussion of visual poetry in Portugal and 18 examples of visual poetry. Includes 24 selected resources and brief biographies of five Portuguese visual poets. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedPadin, Clemette – Visible Language, 1993
Presents a discussion of visual poetry in Uruguay and eight examples of visual poetry. Includes 27 selected resources and brief biographies of 9 Uruguayan visual poets. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedPolkinhorn, Harry – Visible Language, 1993
Presents a discussion of visual poetry in the United States and 10 examples of visual poetry. Includes 10 selected resources. (RS)
Descriptors: Art History, Art Products, Foreign Countries, Higher Education
Peer reviewedBarasch, Moshe – Visible Language, 1989
Identifies two major groups of pseudoinscriptions: distinguished inscriptions which do not convey text but appear to be real things; and proper pseudoinscriptions which may have clearly delineated individual letters that taken together make no sense. Identifies Venice and the Netherlands as centers of Arabic and Hebrew pseudoinscriptions in the…
Descriptors: Art Criticism, Art History, Art Products, Foreign Countries
