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| Visible Language | 1 |
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| Gandelman, Claude | 1 |
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| Information Analyses | 1 |
| Journal Articles | 1 |
| Reports - Evaluative | 1 |
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Peer reviewedGandelman, Claude – Visible Language, 1989
Defines the scope of research concerning "inscriptions in painting" from a semiotic point of view. Shows that in cases from medieval pictograms to modern new concreteness inscriptions are used to subvert the pictorial content of art works. (RS)
Descriptors: Art Criticism, Art History, Art Products, Painting (Visual Arts)
