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Visible Language | 8 |
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Milman, Estera | 2 |
Frank, Peter | 1 |
Hanhardt, John G. | 1 |
Higgins, Dick | 1 |
Mekas, Jonas | 1 |
Melton, Hollis | 1 |
Smith, Owen | 1 |
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Historical Materials | 8 |
Journal Articles | 8 |
Opinion Papers | 8 |
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New York (New York) | 1 |
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Frank, Peter – Visible Language, 1992
Addresses various phenomena that abetted the "fluxizing" of American art. Noted that the New York-based Fluxus movement began an extended period of dissemination and, in some sense dissolution, around 1967. (RS)
Descriptors: Art Expression, Art History, Artists

Higgins, Dick – Visible Language, 1992
Outlines briefly the process by which the Fluxus community coalesced. Recounts the birthing of Something Else Press, Inc., and the transformation of aspects of the press' objectives into Printed Editions. Discusses the parallel concerns shared by Something Else Press and Fluxus publication activities as well as their divergent agendas and…
Descriptors: Art History, Printing, Publications, Publishing Industry

Hanhardt, John G. – Visible Language, 1992
Presents a photographic essay that features photo documentation by Peter Moore of three Wolf Vostell projects produced in New York during the period 1963-64. Notes that Vostell used de-collage techniques as a means to critique broadcast television. (RS)
Descriptors: Art Expression, Art History, Artists, Broadcast Television

Melton, Hollis – Visible Language, 1992
Discusses George Maciunas' pivotal contributions to the renaissance of SoHo, the New York City community south of Houston Street. Recounts the establishment of Fluxus cooperatives, the history of the FilmMakers' Cinematheque, Maciunas' long struggle with the Attorney General's office, and closes with a description of the February 1978 erotic Flux…
Descriptors: Art Expression, Art History, Artists, Theater Arts

Milman, Estera – Visible Language, 1992
Outlines coincidences between the birth of Dada and the birth of Fluxus. Charts the adoption of similar ahistorical strategies by members of both movements as they attempted to position themselves historically. Questions the assumption that democratization of the arts is the natural result of artistic actions that attempt to break down the line…
Descriptors: Art Expression, Art History, European History, Modernism

Mekas, Jonas – Visible Language, 1992
Traces George Maciunas' interest in cinema beginning with his work for "Film Culture" magazine in 1955, his methods of producing/making films, his relationship to the main film avant-garde of the sixties and his ideas of cinema. (RS)
Descriptors: Art Expression, Art History, Film Production, Film Production Specialists

Milman, Estera – Visible Language, 1992
Recounts when the Fluxus community first became self-consciously aware of itself during early European concert tours. Provides insights into criteria that delineate European and American Fluxus performances. Discusses use of chance procedure by members of the group, their debts to John Cage, and the relationship between the audience and the…
Descriptors: Art Expression, Art History, Artists, Audience Awareness

Smith, Owen – Visible Language, 1992
Discusses the early developmental phase of Fluxus. Addresses the evolution of a Fluxus community and the development of a Fluxus performance sensibility. (RS)
Descriptors: Art Expression, Art History, Artists, Community Characteristics