Describes the incorporation of writing into theater courses and ways of crafting engaging writing-intensive courses. Contends that in designing writing-intensive courses, theatre professors need to analyze the learning styles, strengths, and weaknesses of theatre majors. Concludes that writing can deepen students' learning experiences, encourage…

Surveys General Education program administrators. Finds that innovative General Education programs often disregard theatre arts courses. Encourages theatre faculty to consider the importance of their programs becoming more aggressively involved in curriculum reform. Proposes theatre studies can synthesize and personalize ideas across the…

Explores the successes and failures of the author's "Searching for Osun," a performance ethnography which charted a subjective and selective meditation on Nigeria. Explains important concepts of performance ethnography, such as: an idea of question which constitutes the context; the accountability of the ethnographer; subjectivity;…

Describes the Syllabus Exchange program, developed by the Theater History Focus group of the Association for Theatre in Higher Education. Analyzes 22 syllabi to determine the primary goals of teachers of Introduction to Theater; types of assignments given to students; teaching strategies employed; and specific organizations of class materials…

Discusses some of the problems the author encountered in staging a production of Marsha Norman's "'night, Mother" in Moscow. States that the area of largest concern was cultural variables, and whether a Russian audience would be able to understand some of the references. Concludes that, despite cultural differences, the audience was…

Details a case study of using narrative theater to engage with a wider variety of subject matter. Defines narrative theater as a group performance that features narrative as the primary expressive vehicle. Outlines the process of writing and directing a student performance of Tim O'Brien's novel "The Things They Carried," which deals with the…

Considers the relevance of a semester length curriculum in Performance for Art and Theatre students. Contends that art majors in performance classes learn to value more ephemeral content, to work with time, and to think explicitly about audience, while theatre majors have an opportunity to engage with original, personally expressive content and to…