Argues for the participation of theater programs in the development of a gay and lesbian curriculum. Predicts that gay and lesbian studies will soon take its place alongside existing cross-disciplinary programs in women's, African American, Native American, and other area studies. Presents examples of how to introduce gay studies into theater…

Describes the development of an introductory theater course which encourages students to fashion well-informed views of plays. Notes that the skills fostered in this course could start students on the road to becoming active, critically informed practitioners in whatever role they chose to take on in production. Explains that the course…

Describes the incorporation of writing into theater courses and ways of crafting engaging writing-intensive courses. Contends that in designing writing-intensive courses, theatre professors need to analyze the learning styles, strengths, and weaknesses of theatre majors. Concludes that writing can deepen students' learning experiences, encourage…

Surveys General Education program administrators. Finds that innovative General Education programs often disregard theatre arts courses. Encourages theatre faculty to consider the importance of their programs becoming more aggressively involved in curriculum reform. Proposes theatre studies can synthesize and personalize ideas across the…

Considers the relevance of a semester length curriculum in Performance for Art and Theatre students. Contends that art majors in performance classes learn to value more ephemeral content, to work with time, and to think explicitly about audience, while theatre majors have an opportunity to engage with original, personally expressive content and to…