Teachers might ask students to hum the tuning pitch, chant rhythms and scat articulations, or sing melodies from the repertoire to better understand musical inflection and nuance. In addition, singing can develop skills in music reading and audiation. If students sing out loud before playing a line of music, they are able to prehear the pitches…

A thorny problem faced by many middle school band directors is teaching a large ensemble of students who have a wide range of rhythm-reading abilities and who have studied music using a variety of rhythm-reading methods. Since school schedules usually allow very little time for working with students in small groups, the director must try to bring…

A good accompanist is a choir director's dream come true! At one time, student pianists were quite plentiful, but they have become rarer today. While many student pianists may be capable of reading music, not all can be good accompanists. Accompanying is an art of its own that requires some unique capabilities. In this article, the author presents…

Because young wind players need to develop and strengthen their embouchures, they need to play many tong tones at slow tempos. Drummers are on the opposite end of the spectrum. They are using some of the larger, more developed muscles in their bodies and must learn to control them to play many notes rapidly. They need much more than the whole,…

To plan effective rehearsals and meaningful performances, band directors must engage in thorough score study and carefully construct standards-based lesson plans. While some may consider these separate steps, numerous aspects of the score-study process can help band directors create and implement standards-based lessons. When planning lessons…

Observes that a major challenge for a general music teacher is to make music enjoyable for students and also assist them in learning music concepts. Illustrates that music teachers can accomplish both of these goals when educating students with special needs. Offers three examples where each special-needs student enjoyed and learned about music.…

Recommends singing as an instructional strategy for string and other instrument classes. Maintains that singing familiarizes the student with the music and can serve as an illustrative example of musical techniques. Includes a list of tonal objectives found in repertory songs. Briefly reviews several instructional texts. (MJP)

Identifies keyboards as effective vehicles for long-term and in-depth music instruction. Recommends using keyboard instruction as a centerpiece for meeting the National Standards for Music Education. Describes a number of instructional activities supporting this goal. (MJP)

Divides musical composition selection for student orchestras into two categories, teaching repertoire and concert repertoire. Provides a number of helpful hints and criteria for selecting both. Includes "Ten Terrific Titles,""Super String Selections," a list of premiere selections for grades two through six, and a list of selected resources. (MJP)

Considers the dilemma of the instrumental specialist suddenly forced to take over general music class instruction. Advises keeping an open and flexible attitude while realistically appraising the situation. Provides a list of helpful tips and the comments of instrumentalists who found the experience to be a positive one. (MJP)

Profiles four middle school teachers maintaining early chamber music programs. The teachers advise varying degrees of musical competency before students begin the program, but all of them caution against starting too soon. They also stress the importance of purchasing early music scores and establishing rehearsal times. (MJP)