In the arts-informed teaching and learning spaces, knowledge is potentially produced and shared based on resonance that can involve a whole person. Concerned with educational processes enveloped in relational aesthetics, the authors designed a workshop to reconnect with green awareness, based as much as possible on the methodology that is located…

In 2011, the author made the transition from teaching assistant to teaching artist. From 2007 to 2011 she was an assistant teacher at Marwen, an organization that provides free art classes for middle and high school students in the Chicago area. It was there that she began to realize how much she enjoyed helping people as a teacher, whether…

Writing about the teaching artist practice should mean writing about art making. As both teacher and artist, the authors are required to be cognizant of their own art-making processes, both how it works and why it is important to them, in order to make this process visible to their students. They also need the same skills to write about how and…

This article is a brief synopsis of a much longer report, "Teaching Artists and the Future of Education: A Report on the Teaching Artist Research Project," which is available in full at http://www.norc.org. The Project, for which I was the principal investigator, was a three-year investigation of the world of teaching artists in a dozen…

The author has been a theater artist in Chicago and Elgin public schools for over 10 years, and for the last four she has been leading professional development workshops for teaching artists and classroom teachers both in the United States and abroad. Teachers all over the world have asked her the same questions: "How do you get new teachers…

Mentorship is essential to teaching artists seriously committed to "learning to love this work more." For new(er) teaching artists, with little or no experience as teachers, the New Teaching Artist Mentorship Initiative is designed to inspire a life-long love affair with teaching and learning. This article describes the New Teaching…

In 2005, Maria Acaso, professor in Art Education at the Universidad Complutense Madrid in Spain and a co-author of this article, conducted a comparative research project on visual configurations at different art schools in Europe and the United States. The study of hidden visual curriculum examines how knowledge and cultural/political/social…

The author came to America to learn more, not just about special education, but about the importance of nurturing one's love for the quest of discoveries that constantly lead to other revelations, which eventually give rise to more inquiry questions that bring about reflections generated interpersonally or intrapersonally. In this article, the…

It is generally known that professional development for Teaching Artists varies widely. Offerings range from the most basic of orientations to a sponsoring organization's procedures and expectations, to more sustained experiences that may address school culture, principles of youth development, models of arts education, learning standards,…

The mission of this article is to introduce just a few of the organizations that are expanding the teaching artist field by addressing the artistic, educational, and business needs of today's TA head on. For some organizations, supporting TAs is a facet of what they do; for others, it is all they do. Staying true to their creative nature, each…