The discipline-based view of art education requires that students progress in all of the four domains of art learning: art history, art criticism, aesthetic appreciation, and creative production. Evaluation methods in each of these domains are discussed. (RM)

Discussed are historical methods, adapted from genealogy, that will help the field of art education locate art educators or their descendants who might have documents or notes that would aid in painting a more accurate picture of art education in the 20th century. (RM)

This study introduced to 88 selected adults (aged 60 and older) eight combinations of art curricula and teaching approaches encompassing three components of art education: productive; historical; and critical-appreciative. All eight experimental groups made similar improvement in the aesthetic quality of their art products. (Author/SJL)

Art history teaching has traditionally emphasized stylistic analysis of Western art. We need to broaden our definition of what art is and why it is integral to cultural life. The sociologist and the anthropologist can contribute to our knowledge of how social factors affect art. (Author/SJL)

Directs attention to the theoretical model for discipline based art education developed by the Getty Institute for Education in the Visual Arts. Observes that there are variants from the Institute model which exceed the DBAE model and raises the issue of theory deterioration through popularization and mislabeling of some programs as DBAE. (AEM)

Proposes a definition for folk art based on analyzing and sorting the descriptors and identifiers used in the disciplines of art history, folklore, anthropology, and antique and folk art collection. The proposed definition is not meant to specify an undeniable category of art, but rather to suggest specific aspects which should be identified in…

Describes subject-centered and child-centered approaches to art education, how they developed, and how they might be integrated. Concludes that a return to a more bookish, academic approach will not improve the quality of art education. Recommends the integration of art production, art history, criticism, and aesthetics. (JDH)

Describes a case study in which third-grade children (n=19) examined a series of images of Ndop statues and visual information from the Kuba people of the Democratic Republic of the Congo using art history constructivist inquiry methods. Presents the results in detail. Includes references. (CMK)

Illustrates how historical art education metaphors objectify and stereotype the environment through landscape art. Proposes a new metaphor of art teaching, ecological pedagogy, as a means of critiquing stereotypes and of promoting compassionate and caring representations of the environment. Offers strategies for implementing an ecological art…

This article describes Mr. Jewel's art history class--one of three art history classes whose curriculum organization, teaching methods, geographic range of materials, and level of content abstraction were studied using the educational criticism approach. Mr. Jewell's activities as a role model emerged as the major focus of this observation. (SJL)

Explores how art education can enhance the mental abilities and educational needs of older adults. Maintains that the postformal operations development stage may be helpful in art studies. Suggests that older adults could study the meaning of their life experience as well as their place in culture. (KM)

A unit of study, designed for a general humanities course at the community college level, illustrates the relevance of aesthetics, art history, and art criticism to art education. The unit is predicated on the belief that the visual arts possess potential for contributing to humanistic education. (Author/RM)

Critiqued is the article, "Teacher as Shaman: An Educational Criticism," (Studies in Art Education, v25 n1), containing a case study of an art teacher who employs performance-based ritual to stimulate thinking about art's meaning and history. The problem that ethnographic researchers have conveying credibility when summarizing…

A nationwide survey of college students taking studio and art history courses indicated that students prefer intensive study of one course to pursuing several unrelated courses during a semester, for reasons of time structure effectiveness; meeting personal needs, goals, and educational standards; ability to arouse interest and motivation; and…

Comments on the article, "The Unexplored: Art Education Historians' Failure to Consider the Southwest" (Peter Smith). Discusses art education sources on historical research that were omitted from the article. Addresses the difficulties in the value placed on historical research in the southwestern United States. (CMK)