Conceptual problems hinder the development of computer-assisted art instruction. Presented is a framework to guide the organization of instruction and to facilitate the selection of computer strategies appropriate to particular art learning situations. Various types of computer-assisted instruction are presented within a continuum of teaching…

Examines the way first-year public high school students drew the human figure from life, photographs, and copies of master drawings. Finds that the three referents were not significantly different in supplying information to learn specified art elements. Maintains that drawing from life needs to be reexamined. (KM)

Investigates the role of women in U.S. art education by focusing on the art education contributions of Eugenia Eckford Rhoads. Presents a biographical sketch and describes her published works. Questions the role of sexism in how art educators judge the success or failure of a professional career. (KM)

Asserts that traditional age-stage theory of visual art education is simplistic and misleading. Suggests that neoteny, the retention of juvenile-like traits in adults, may provide another means of linking human development to the visual arts. Concludes that the inherent neotenous aspects of art can make a contribution to successful aging. (CFR)

Maintains that integrated mathematics and art curricula reveal congruent activities that enhance learning in both disciplines. Suggested ways to restructure and coordinate the curriculum include inspection of content areas for congruent elements, examination of older models for related theory and materials, and utilizing relevant developmental…

Reports a study of 56 fifth graders that questioned whether the cognitive style of reflection-impulsivity could be measured by students' performance on 2 art-related tests. Found that cognitive style was not a strong predictor of artistic performance. (GG)

Reports on a study of verbal interaction during art production experiences. Finds that teachers trained in structured questioning techniques were able to elicit significantly greater proportions of verbal interaction, inquiry-oriented questions, and student verbalizations than teachers not trained in the techniques. (CFR)

Describes how an elementary classroom teacher discovers and explores the power of aesthetic experience in an educational context. Discusses how the artwork of Vincent Van Gogh helps an exceptionally difficult class of 11-year-old female students in suburban Dublin, Ireland, become interested in their education. (KM)

Analyzes the teacher-child talk during art activities conducted by two Australian and two Asian teachers in four Australian child care centers. Discovers differences in the use of the evaluative subcategories repeat and rephrase. Includes transcript samples of the conversations. (MJP)

Contends that using art textbooks is a relatively new trend in art education. Reports on a survey about art textbook use among 64 art teachers involved in an in-service teacher education program. Concludes it is important that the art education field encourages, promotes, and supports research on the use of art textbooks. (CFR)

Describes two studies of art instruction offered to secondary school students which integrated art production with critical and historical learning and provided some comparisons with non-integrated approaches. Provides observations of high school art programs that included art history and criticism as part of the integrated art curriculum. (AEM)

Presents a qualitative study of the sociocultural teaching and learning system involved in an introductory direct metal-sculpture studio class. Discusses the cognitive, affective, and physical processes that take place through the social exploration of material, form, and concepts. Includes a graphic model of the learning process. (MJP)

Utilizes a phenomenographic (study of the world as it is conceptualized) qualitative study to ascertain art teachers' attitudes towards teaching art criticism. Categorizes six conceptions of teaching art criticism and includes a description and interpretation of each. Discusses the limitations of these approaches and the implications for teacher…

Postulates that students' untutored and unrehearsed verbatim responses to viewing artworks parallel specific schools of thought in aesthetic theory. Middle school students tape recorded their responses to a previous museum visit. Their responses reflected some of the key concepts in expressivism, institutionalism, and formalism. (MJP)

Provides a brief overview of the historical development of art education. Notes the relationship between 19th century art education and manufacturing jobs and contrasts this with current art education and a changing job market. Maintains that art education must remain relevant to, and cognizant of, social changes. (MJP)