Presents a case study of how a group of theatre artists and educators (the Lakeview Education and Arts Partnership) used the arts to motivate and engage students in four public schools in Chicago, Illinois. Describes how teachers and artists infused the arts into academics. (RS)

Offers reflections on how people share their cultures as they enter the new millennium, based on the author's two trips to Asia where she lectured and led drama workshops on drama education and theater for youth. Outlines seven steps to take toward reaching goals in the field of theater for young audiences and drama/theater education. (SR)

Presents four narrative portraits of what the author experienced during a two-day visit to Pharr-San Juan-Alamo-North High School in Pharr, Texas near the border with Mexico. Describes his experiences with the high school's production of the play "Our Lady of the Tortilla" by Luis Santeiro, and discusses various ways that culturally…

Shares results of a survey investigating the practices of theaters in the United States which focus on working with young performers (their goals, staffing, classes, auditions, affiliations, budget, and practices regarding student empowerment, diversity, and gender) and compares results with those from the 1983 survey. Offers a glimpse of four…

Describes how Foster High School, Tukwila, Washington, joined forces with Walworth, a London secondary school, to write a play. Reports that, after some Walworth teachers visited Foster, the project got underway, with a group in each place writing part of the play, and another group revising. Notes that the play was finally performed at Foster…

Describes a four-hour drama session, held one hour for each of four weeks, in which 15 girls and one boy ages six through eight participated with 17 college participant observers in a 1991 Children and Drama course, during which a drama teacher came to a "different" playmaking process, guiding children to direct their own dramas, without…

Describes the development of a program that incorporates materials for 8 productions with an interest in: opening the doors to theatre by using dramatic working materials; building a bridge between the education institution and the art institution; and expanding educational understanding and repertoire by learning art production processes. (SC)

Describes the importance of becoming engaged in the process of mission review and construction in these days of program accountability and institutional assessment for reaccreditation at colleges and universities. Discusses how the study and practice of theater includes many of the principles of good education and relates to many general education…

Presents an interview with the American Alliance for Theatre and Education's executive director Barbara Salisbury Wills. Discusses her interaction with the Goals 2000 Commission, development of the "National Standards for Arts Education," getting parents involved in theater education programs, working with state representatives, and…

Discusses how the elements of ritual may be exploited to provide optimal learning experiences not only for young people but also for teachers. Describes the evocation of a framed liminoid experience (an experience of flow framed by components of a ritual process) in the context of a castle excursion for university students. (PA)

Asks whether standards in the arts are necessary. Presents the standards as set forth in the Goals 2000 Act, and provides some commentary on how to achieve them. States that educational reform, national standards, artists and educators working together, teacher education, and teaching leadership are necessary to make the standards work. (PA)

Describes the profound learning that took place at the International Children's Theatre Festival in Toyama City, Japan in July 2000. Argues that participation by the Japanese-American Drama Ensemble, a youth group from the public schools in Lexington, Massachusetts, and more than 400 children from all over the planet, showcased the cultural…

Describes how the 1998 Multiculturalism and Diversity in Drama/Theatre Education: A Preconference came about, and briefly describes its activities and success. Offers ideas for future activities, and reminds readers of the critical necessity for action around issues of multiculturalism and diversity that transforms dreams into reality. (SR)

Describes a three-week summer theater program for middle and high school students. Discusses the reconstructing of Shakespeare's play "Hamlet" by students in the class from prior viewings of movie versions of the play and from students' past experiences with the play. Includes the play script as rewritten by the students. (CR)

Presents an interview with Ruth Beall Heinig, author of "Creative Drama for the Classroom Teacher," about her role as a teacher of creative drama and as a teacher-educator preparing teachers to use creative drama. Describes the development of her career in creative drama. Offers information on books about the subject written by other authors. (CR)