Described are art activities that will challenge students to be creative by asking them to draw or sketch their ideas or fantasies regarding some aspect of the future. (RM)

Adults sometimes fail to appreciate the depth of understanding shown in children's art. Examination of drawings in the Prospect Archive (North Bennington, Vermont), a collection of 200,000 pieces of children's art, suggests that houses have great meaning for children and that much can be learned about children from their drawings. (IS)

The monotype is a singular work of art created by transferring an image from one surface to another. Methods and suggestions to help elementary and secondary students make watercolor monotypes are discussed. (RM)

Describes an art unit that integrated art history and studio projects to teach surrealism to 14- to 19-year-olds. The unit was designed to apply a research study which found that students learned more art history and produced better art using an integrated approach. Class experiences confirmed research results. (AM)

Describes an activity in which eighth graders explored color relationships in art. Students selected their favorite pieces of art work, redrew and redesigned the artists' composition, and then painted them using completely different color schemes. Student confidence in their own artistic judgment and capabilities increased. (AM)

Describes an art class flower painting project influenced by the book, "Georgia OKeefe: One Hundred Flowers." Students studied OKeefe's use of scale, color, composition, depth, and materials, to create their own flower paintings. (KM)

Suggests the use of Sumi-e painting with its emphasis upon simplicity as a means of motivating students to explore a new and interesting form of visual expression. Describes an activity which involves a demonstration of this art form. Includes a chart showing the seven basic Japanese Sumi-e strokes. (KO)

With the help of many community groups, 36 high school art students created murals to beautify a graffiti-covered railway station. (SJL)

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)

An innovative interweaving of student interest, school curriculum, and creative interpretation. (RK)

Both students and their mothers became motivated to participate in and react to an art program developed at Oklahoma State University. The program used the mothers as volunteers who were trained to stimulate students' interests in famous art prints. (RK)

This is the third and final article in a series that describes an approach to teaching art that integrates the critical, historical and productive aspects of art learning and provides a natural forum for ideas. (Author/RK)

Children enjoy learning experiences that revolve around animals. Describes a course in which middle-grade students took a field trip to the zoo and sketched various animals. When the students returned to class, they had to do a highly detailed painting based on their favorite sketch. (RM)

Eighth-grade students were asked to produce two faces as a sculptural self-portrait series. The faces were to show a change in mood through modifications of expression. After construction, the facial shells were to be painted with a design which would both enhance and unite the expressions. (RM)

Junior high school teacher and his students investigated use of space and shape relationships in painting and architecture. (SP)