Describes how the author, motivated by Esther Krichevsky's fishprints, introduced fishprinting to a middle school. Students explored the origin of fishprinting and other Japanese arts as well as learned about printmaking, collage, and painting. Maintains that, for children to grow creatively, they need freedom to experiment. (KM)

Describes how artists' styles, images, and methods can express their cultural heritage, cultural influences, life experiences, and memories. Uses Romare Bearden's (1914-1988) collages and photomontages as examples. Suggests some collage activities for elementary and high school students based on their own life experiences. (KM)

Describes a self-portrait unit for middle school students using collage. Students draw silhouettes and then fill these in with cut-out magazine images reflecting their personalities. Encourages students to be inventive. The college background also reflects their personality. (KM)

Step by step outline for making puppets, scenery, the stage, etc., with suggestions for followup activities. (CB)

Describes the origin of Swedish rya knotting and illustrates how it is done. Outlines a lesson plan to make a Swedish rya mat using weaving and knotting techniques. (KM)

Describes how author collected scrap materials from manufacturers for use in her art class. Explains how any art teacher can build a similar collection. (KM)

Students at Madison High School, Madison, Ohio, their art teacher, and the school maintenance crew cooperate to create, finish, and erect a metal sculpture that makes everyone more satisfied with their school environment. (RK)

Article describes ways in which to make students aware of the world of arts around them. (RK)

Describes a color theory class at Memphis College of Art (Tennessee) that uses computers to stimulate student interest. Notes that computer knowledge and skills are becoming essential for the graphic art student. Suggest that the computer is another tool, much like the printing press, the Jacquard Loom, and the camera, to be utilized by the…

Describes methods of introducing ceramics to preservice teachers, emphasizing creativity and enjoyment rather than skill building. Maintains that these methods are less intimidating for new students and that they will encounter the necessary skills while being creative. (KM)

Describes how first grade children used rug samples as tails for the animals they drew. Maintains that unusual scrap material can be the starting point of imaginative artworks. (KM)

Describes how a sixth grade class constructs wooden sculptures of people from scrap materials after viewing similar work by Pablo Picasso. Maintains that a limited budget does not limit childrens' imaginations. (KM)

Describes an art class flower painting project influenced by the book, "Georgia OKeefe: One Hundred Flowers." Students studied OKeefe's use of scale, color, composition, depth, and materials, to create their own flower paintings. (KM)

Describes a cultural arts program of the National Congress of Parents and Teachers (PTA) that encourages K-12 students to explore their thoughts and express them through the arts. The 1988-89 theme was "Proud Experiences," around which students created artwork that depicted feelings of accomplishment as well as national and family pride.…

Describes how middle and high school students can learn the principles of layout and design through calligraphy. Outlines how students selected their own poems and decorations, and discusses how to arrange them before creating the artwork. (KM)