A successful professional photographer, Joe Meyerowitz, discusses his life and work. He has gone from painting to art photography to commercial photography. A believer in the poetry of everyday life, Meyerowitz recommends that students stand on a busy street corner or walk a certain route consistently, and then photograph it. (CS)

How college art students made drawings using color is described. The activity helped the students analyze how they drew lines, shadows, and highlights. (RM)

Describes four art activities for elementary secondary art classes and one for a methods course. Students redraw a photograph in realistic, abstract, and nonobjective styles; create three-dimensional geometric shapes with paper; draw a portrait of their teacher; use tissue paper to make collages; and do self portraits. (AM)

The work described and shown in this article was produced by Elementary and Special Education majors participating in an art course for college credit prior to entering the teaching profession. They combined creative concepts with the use of papier-mache. (Author/RK)

Suggestions to help art students at any level produce an accurate and craftsmanlike value scale are provided. Values scales are vital in terms of skill development and as a means for creative action. (RM)

Describes a design exercise for college education majors. Five paper scissor shapes are used to illustrate the role of balance, variation, repetition, and unity in design. After comparing their own designs to Indian molas, students explore how color and shape affect design by elaborating their work with oil crayons. (AM)

Suggested is an alternative to the traditional ceramics instruction which uses prewedged and prepackaged clay and highly sophisticated kilns: begin with the digging of clay and end with the construction and firing of a trench kiln. (KC)

Teaching strategies for using calligraphic images are presented. Included are the pictograph, the calligram, pen ideas, the ideograph, expressive language, and calligraphic imagery. Ideas are appropriate for all age and grade levels, from elementary grades through college. Useful reference books are listed. (KC)

Describes lesson plans in life drawing for gifted students of upper high school and college age. The sequence of seven activities includes drawing and then both contour and life drawing from a posed model. The goal was to help students understand the relationship between line and form. (CS)

Painting cloth with crayons is suggested as a challenging art project, especially for students who have difficulty with the complex tools and processes typical of more advanced textile work. Instructions are given for creating decorative banners with this technique. One of seven articles in this issue on fiber arts. (Author/SJL)

The history of the field of computer graphics is discussed. In 1976 there were no institutions that offered any kind of study of computer graphics. Today electronic image-making is seen as a viable, legitimate art form, and courses are offered by many universities and colleges. (RM)

Described is a project in which art education graduate students in Perth, Australia, built a story mural for blind children. Using an Australian adaptation of "The Wizard of Oz," they created a mural with textures and objects that illustrated the story carried in print and braille. (SJL)

Describes a color theory class at Memphis College of Art (Tennessee) that uses computers to stimulate student interest. Notes that computer knowledge and skills are becoming essential for the graphic art student. Suggest that the computer is another tool, much like the printing press, the Jacquard Loom, and the camera, to be utilized by the…

Describes origins of the constructed relief and shows some examples of contemporary artists' work. Suggests using this history to motivate students to construct their own reliefs. Outlines a four-step lesson: preliminary drawing, finished drawing, mock-up relief, and finished construction using durable materials, such as wood, acrylic sheet, or…

Results of a survey of elementary, secondary, and college level art teachers indicate that art hazards in the schools represent a real and significant problem. While many art teachers sense that health and safety hazards exist in their classrooms, even they do not always maintain necessary safety practices. (RM)