When fifth-grade students were first introduced to abstract imagery in printmaking, the adjustment from figurative shapes to nonrepresentative forms was difficult for them. To make them more comfortable with the development of abstract ideas and forms, the students' initials were used. (RM)

Fifth-grade students used their bodies to form a design on blueprint paper. The end result was a frieze, which was used to brighten hallways. (RM)

A fifth-grade class was taught how animated films are made by actually making some. Each cartoon involved four parts: title, artwork, credits, and storyboard. In addition to learning about animation, they had the experience of thinking in logical sequence and of working cooperatively. (CS)

A United States teacher visited an art class in a Chinese commune and observed fifth grade students working on line drawings. (AM)

Working in small groups, fifth graders designed and made a ceramic title mural that became a permanent display in the school entryway. The project is described. (RM)

Described is a project which made the study of Black history more real to fifth graders by having them make wire jewelry, smaller versions of the ornate filigreed ironwork produced by slave blacksmiths. (RM)

Fifth-grade art students examined Greek artists' drawings on the surfaces of clay vases and wine cups and read Greek mythology. The students then drew their own designs for ceramic pots. (RM)

This art project involved fifth graders in producing one-minute television commercials. The subject matter for the commercials was determined by school events. The commercials were shown several weeks before the special event they advertised. (RM)