Presents some concepts of design in art for use by elementary teachers. (SJL)

The author suggests collage with black and white paper as a simple project for teaching shape and visual design. (SJL)

Elementary school children are given cards containing specific criteria for doing one or two tasks: sorting or arranging rocks. Sorting tasks involve children in picking out rocks with particular characteristics, such as color or shape. In the arranging tasks children are asked to arrange rocks according to size or value. (RM)

Photography can be helpful in such areas of art education as design, mixed media, and sculpture. Shows how the camera can be used in design and mixed media units to help identify shapes, textures, space, and value scales. In sculpture units, it is especially useful when students are sculpting self-portraits. (CS)

Describes objectives, materials, and motivation for an activity unit. (SP)

Each fourth-grader was given opportunity to work on classroom mural by dividing class into groups, each of which then designed and executed its own small mural. (PD)

The author suggests having reluctant art students use their own signatures as the basis of a design. The finished examples when trimmed, mounted or matted, and framed become a personal, attractive, and artistic example of creative expression. (Author/KC)

This article gives a very brief history of weaving and discusses using a primitive loom in the art classroom. Particular attention is given to construction of the loom and the design concerns in weaving. One of seven articles in this issue on fiber arts. (SJL)

Describes a design exercise for college education majors. Five paper scissor shapes are used to illustrate the role of balance, variation, repetition, and unity in design. After comparing their own designs to Indian molas, students explore how color and shape affect design by elaborating their work with oil crayons. (AM)

The author urges that children's natural sense of design be stimulated in their early years. Too many teachers, she says, place exceptional emphasis on technique and realism. Instead, students should be encouraged to enjoy visual relationships and learn the vocabulary they need to discuss visual qualities with the teacher. (PD)

The author's art instruction for young Egyptian children focuses on design, creative expression, and appreciation of Egypt's unique artistic tradition. This article is one of several in this issue on art education in other countries. (SJL)

Explains a method of block printing using styrofoam shapes to make high relief. Describes the creation of the block design as well as the actual printing process. Uses a range of paper types for printing so children can see the results of using different media. (LS)

Designs a lesson to help secondary art students overcome the fear of a threatening blank page. Students learned proportional enlargement, how to evaluate objectively, and gained experience with visual balance. Displays three examples of student's artwork generated by geometric design problems. (DB)

A cross-age art project involving second graders and high school students is described. Each group investigated the design qualities of several popular picture books and then wrote their own stories. The second graders had to illustrate the high school stories and vice versa. It was a tremendous success. (RM)

Discusses methods for teaching elementary art students the principle of a focal point in the design of art works. Suggests beginning with well-known paintings as examples of utilizing a focal point, and then encouraging students to create their own designs. Displays examples of student art employing a center of interest. (DB)