The concept of innovation and the use of new materials were effectively presented to students through the use of a synthetic foam for sculpture. (Author/RK)

As part of an introductory course in figure drawing, art students spent some time doing portrait studies and profile drawings. When the teacher threw in an ancedote on life masks, it had a double impact. Students learned to better understand underlying bone structure and facial planes and to create a new art product. (Author/RK)

In keeping with the Bicentennial celebration, many art teachers will find themselves "looking back" to crafts of the American past. Dyeing is certainly one that was used extensively and here a professor in a Fine Arts Department details how the process takes place. (Author/RK)

Students in the Creative Crafts class at Franklin D. Roosevelt High School, Brooklyn, New York, learn the medieval Tiffany method of making stained-glass panels. (Author/RK)

For the adventurous teacher and student there is an alternative to the often messy mixing, pouring, casting, cutting, scoring and sanding of plaster of Paris for casting or sculptural projects. Balloon sculpture, devised, designed and shown here by a sculptor/teacher, is an eye appealing sculptural form and holds a strong interest for students.…

Four panels hang in the Junior Gallery at the Nelson Gallery-Atkins Museum in Kansas City, Missouri. Conceived by Matthew Monks, an experienced artist and teacher, and students from his Saturday morning class at the art museum the college is the result of a mixture of art materials and a combination of creative ideas. (Author/RK)

The work described and shown in this article was produced by Elementary and Special Education majors participating in an art course for college credit prior to entering the teaching profession. They combined creative concepts with the use of papier-mache. (Author/RK)

Article described a new art course developed to augment the students' experience with three-dimensional materials. (Author/RK)

Describes a course in printmaking taught at the Indiana University Summer Arts Institute (Bloomington), a two-week program for artistically talented seventh- through tenth-grade students. Focuses on two printmaking processes, acetate etching and linoleum block printing, and on altering and improving an image associated with each process. (LS)

The idea of art in commerce to catch your attention and make a forceful impression becomes so much more meaningful when students have a chance to try their hand at it. Here students learn to think of one word that can be illustrated only by the use of colored paper. (Author/RK)

Utilizing sheets of polyethylene and discarded items from the art room or their homes, sixth-grade students created their favorite personalities. Being able to see through them revealed their true character and individualism. (Editor/RK)

Ingenuity, imagination, aluminum foil and a few odds and ends have been combined to produce interesting results in junior high school art classes. (Author)

Discussed is the advanced Placement Program in Studio Art, which provides an opportunity for students with above average abilities in art to receive credit for their work in the college or art school of their choice while still in high school. (Author/RK)

A project which involved 11th- and 12th-grade art students in creating a "Jackson Pollock type" lyrical action painting is described. As a result of the project, the students gained a freedom of expression which was evident in their subsequent art projects and a tolerance toward twentieth-century art. (RM)

Eighth-grade students were asked to produce two faces as a sculptural self-portrait series. The faces were to show a change in mood through modifications of expression. After construction, the facial shells were to be painted with a design which would both enhance and unite the expressions. (RM)