Involvement of primary grade children in a community art auction taught them that it takes patience and imagination and a sustained effort to turn out an acceptable offering. (RB)

How to create and apply glazes. Includes formulas, materials needed and procedure. (RB)

Unexpected dividends from this experience were the familiarization and identification of various dyeable fabrics, what to wash, how to wash, fashion, design, color, and the social involvement of wholesome student interaction in the classroom. (RB)

A modified approach to the usual stained glass windows using colored cellophane, scotch tape, water colors and a felt-tip pen. (RB)

Discusses how copper foil can be used as a creative jewelry medium. Recommends materials, techniques, and designs. (RB)

Suggests a merger between linoleum block printing on fabric and creative stitchery can produce far richer results than can be achieved through the application of a single technique. (RB)

An experimental art program using aluminum wire, yarn, cord, raffia, and beads offered a new approach to weaving and a rewarding experience for students. (RB)

Brightly banded resisters, condensers, diodes and transistors as well as printed circuit boards were used with the objective of discovering their potential in creating objects for personal adornment. (RB)

Describes the functions, styles, and methods of creating medieval tapestries. Illustrates a narrative tapestry titled "The Prophecy of Nathan," attributed to Master Philip. Describes how textile artists' personal styles can be recognized. Suggests art activities for elementary and secondary students. (KM)

Describes a project in which the children were given the opportunity to produce mosaic life size figures for the office complex of their elementary school. (RB)

Discusses the aesthetic experience of working with fused glass. Offers suggestions for lamination, firing, experimenting with texture and shape, decoration, modular construction and how they can be applied to a High School curriculum. (RB)

Maintains that expense and lack of experience with glazes and firing the kiln need not prevent teachers from using clay in the classroom. Describes how author experimented with clay and fibers and subsequently devised numerous art activities for elementary school students. (KM)

Describes how the author, motivated by Esther Krichevsky's fishprints, introduced fishprinting to a middle school. Students explored the origin of fishprinting and other Japanese arts as well as learned about printmaking, collage, and painting. Maintains that, for children to grow creatively, they need freedom to experiment. (KM)

Describes how artists' styles, images, and methods can express their cultural heritage, cultural influences, life experiences, and memories. Uses Romare Bearden's (1914-1988) collages and photomontages as examples. Suggests some collage activities for elementary and high school students based on their own life experiences. (KM)

Describes a self-portrait unit for middle school students using collage. Students draw silhouettes and then fill these in with cut-out magazine images reflecting their personalities. Encourages students to be inventive. The college background also reflects their personality. (KM)