Discusses the evolution of Burke's conception of form and explains how he combines form, substance, idea, and audience appeal into a single critical principle. Argues that his theory is important because it provides a rationale for combining language, idea, and appeal. (JMF)

Offers suggestions for using Marxist interpretations of dialectics to begin clarifying the act of rhetorical criticism. Considers three basic interpretations of the dialectic coexisting in the writings of contemporary Marxists: dialectics as a mode of thought, of description, and of discourse. (JMF)

Examines Kenneth Burke's and Friedrich Nietzsche's similar understanding of the hortatory nature of language-using, weighed against their radically differing conceptions of the negative, which allows a distinction between two genres of dramatism, and illustrates contrasting orientations toward symbolic activity in general. (SR)