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Cooper, Brenda; Descutner, David – Quarterly Journal of Speech, 1996
Investigates the rhetorical implications of Sydney Pollack's translation of Isak Dinesen's autobiographical texts. Argues that Pollack's film uses strategies of transference, redefinition, antithesis, and displacement to renarrate Dinesen's writings, resulting in a depoliticized romantic adventure. Finds that these strategies misrepresent Dinesen,…
Descriptors: Authors, Film Criticism, Film Study, Personal Narratives

Medhurst, Martin J. – Quarterly Journal of Speech, 1982
This iconographic study of Resnais' classic film reconstructs the narrative structure of the film; identifies the various icons, images, sounds, and acts that constitute "marks" in time; and examines these marks to show how they function rhetorically to help interpret the central message or intrinsic meaning of the film. (PD)
Descriptors: Film Criticism, Film Study, Films, Imagery

Rushing, Janice Hocker; Frentz, Thomas S. – Quarterly Journal of Speech, 1980
Analyzes "The Deer Hunter" in terms of a psychological/ritual model of criticism. Argues that the rhetorical force of the film is explained by men's participation in rituals, such as deer hunting, which affect the patterns of psychological change they experience during and after war. (JMF)
Descriptors: Characterization, Film Study, Films, Models