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Showing 31 to 35 of 35 results Save | Export
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Jackson, Catherine S.; Tlauka, Michael – Psychology of Music, 2004
The "Mozart effect" refers to an increase in spatial reasoning performance following exposure to music composed by Mozart. Empirical tests of the effect have resulted in an inconsistent pattern of findings with some studies producing the effect and others failing to do so. The majority of the investigations have relied on paper-and-pencil tests.…
Descriptors: Evidence, Investigations, Music, Spatial Ability
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McPherson, Gary E. – Psychology of Music, 2005
This article reports on a three-year longitudinal study with 157 children in school grades 3 and 4 (aged between 7 and 9 years), who commenced learning an instrument in one of eight school music programmes. The children were administered tests at the end of each school year to assess their abilities to perform rehearsed music, sight-read, play…
Descriptors: Music Education, Play, Music, Musicians
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Kurkul, Wen W. – Psychology of Music, 2007
This study explored nonverbal communication in one-to-one music performance instruction by investigating relationships among nonverbal sensitivity, nonverbal behaviors and lesson effectiveness. Subjects (N = 120) comprised 60 college teachers and 60 of their non-music major students. Using the Music Lesson Evaluation Form, lesson effectiveness was…
Descriptors: Nonverbal Communication, Teacher Student Relationship, Music Education, Correlation
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Mills, Janet – Psychology of Music, 2006
We focus on the music students at a conservatoire (A) that only trains performers and composers (performers/composers); a conservatoire (B) that also trains classroom teachers (education students); and a university (C) with only education students. We used a questionnaire to compare the experience and beliefs as instrumental teachers of the…
Descriptors: Music Education, Beliefs, Student Experience, Questionnaires
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Austin, James R.; Berg, Margaret Haefner – Psychology of Music, 2006
The purpose of this study was to describe the practice motivation and regulation of sixth-grade instrumentalists (11-12 years of age). A sample of 224 US band and orchestra students, representing 85 elementary schools, completed a 36-item practice inventory and produced two narratives depicting a typical practice session and a practice episode…
Descriptors: Music Education, Student Motivation, Elementary School Students, Musicians
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