The purpose of this qualitative study was to explore how undergraduate music therapy students perceive, describe, and make meaning from their pre-internship clinical experiences. Using a basic qualitative research approach and marrying arts-based methods with reflexive thematic analysis methods, the following research questions guided my…

Grounded in the Rogers (1995) theory of diffusion, this field study applied th? theory to the problem of technology obsolescence within the music scoring industry. Technology obsolescence is important to study because it plays a specific and pivotal role in business success, longevity, and sustainability. The purpose of this study was to examine…

This instrumental case study utilized an ABR component to investigate music composition as a pedagogical tool in higher education. This was achieved through three facets: gaining an understanding of undergraduate students' compositional experiences, students' accounts of the pedagogy's impact upon their learning, and through the educator's…

Two dissertation recitals and a piano pedagogy workshop were given in partial fulfillment of the requirements for the degree of Doctoral of Musical Arts in Piano Pedagogy and Performance at the University of Michigan. The first dissertation lecture recital, "Afro-Cuban and Brazilian Dances," was presented in McIntosh Theatre on…

Throughout recent decades, there has been a surge in work to create a diverse classical music canon by finding and promoting works written by composers of underrepresented identities. Despite these efforts, one area that has received little attention is the music written by women during the 18th and early 19th centuries. Reviving the works of…

This multi-study dissertation explored technology and creativity within three different technology-rich creative musical spaces. Through the use of three contrasting empirical methods (qualitative content analysis, intrinsic case study, and phenomenology), I explored the complex ways technology and musical creativity are linked. In the first…

The purpose of this descriptive study was to examine elementary music teachers' planning times. The existing literature on planning time is scarce and the literature on elementary music teachers' planning time is nearly nonexistent. The following research questions guided the study: (a) How many minutes of planning time do elementary music…

The ability to identify errors by sight and sound--commonly referred to as "error detection"--is a musical ability needed in a variety of music professions. Instructors of undergraduate aural-skills courses often agree that strong error-detection skills are an essential outcome of these courses; however, error-detection activities are…

This research uses three of the lesser-known concerti by Antonio Vivaldi to discuss how the musical material in these concerti is equally suitable to those concerti that have found popularity through printed editions earlier in the twentieth century, such as RV 484 in E minor. These concerti are excellent resources for musicianship development for…

St. Pierre (2015) suggested that researchers consider entering into research through an interest in, and a deep investigation of, a specific concept. Deleuze and Guattari (1994) maintained that a concept is a nebulous structure of a network of ideas that continuously remains unfolding. Therefore, researching a concept becomes an attempt at…

The purpose of this study is to examine guitar tablature as a strategy to facilitate student-led learning in order to contribute to liberation of music students in the elementary setting. This researcher seeks to understand the effect it has on beginning guitar students in elementary school and what role, if any, it should take in an elementary…

American music education is focused primarily on music written by White men (Baker, 2003). However, women are more likely to believe they can find success in a career in the arts when they have positive female role models (Quimby & DeSantis, 2006). Similarly, college students are more likely to name career role models who match their own…

As the music education profession continues to adapt to the needs of an increasingly pluralistic society, scholars and practitioners have begun to concern themselves with issues of social justice (e.g., equity, diversity, inclusion, or access). For band directors, one way to address such topics is through the purposeful programming of music by…

Music educators strive diligently to develop musically literate student musicians. Sight-reading new music is one way of displaying music literacy because musicians must simultaneously synthesize an understanding of music notation and technical performance skills. Teaching students to sight-read is important towards developing an independent…

German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the "Escola de Musica de Piracicaba," one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and…