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Shuo Li – ProQuest LLC, 2020
This research uses three of the lesser-known concerti by Antonio Vivaldi to discuss how the musical material in these concerti is equally suitable to those concerti that have found popularity through printed editions earlier in the twentieth century, such as RV 484 in E minor. These concerti are excellent resources for musicianship development for…
Descriptors: Music Education, Undergraduate Study, Musical Instruments, Musical Composition
Robbins, Elizabeth Krimmel – ProQuest LLC, 2019
American music education is focused primarily on music written by White men (Baker, 2003). However, women are more likely to believe they can find success in a career in the arts when they have positive female role models (Quimby & DeSantis, 2006). Similarly, college students are more likely to name career role models who match their own…
Descriptors: Music Education, Racial Differences, Gender Differences, Musicians
Christian Matthew Noon – ProQuest LLC, 2020
As the music education profession continues to adapt to the needs of an increasingly pluralistic society, scholars and practitioners have begun to concern themselves with issues of social justice (e.g., equity, diversity, inclusion, or access). For band directors, one way to address such topics is through the purposeful programming of music by…
Descriptors: Preservice Teachers, Music Education, Music Activities, Leadership
Joao Paulo Casarotti – ProQuest LLC, 2015
German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the "Escola de Musica de Piracicaba," one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and…
Descriptors: Musicians, Musical Composition, Music Education, Elementary Education
Orosz, Jeremy White – ProQuest LLC, 2013
This dissertation is a study of the practice of musical paraphrase in the long 20th century. Musical paraphrase is defined as the adaptation, alteration, or embellishment of musical material, often borrowed from another source. My project is built around a single guiding question: If a composer borrows music from another source and alters it for…
Descriptors: Music, Musical Composition, Motivation, Case Studies
Schouten, Sarah – ProQuest LLC, 2012
Given the horn's lengthy history, it is not surprising that many scholars have examined the evolution of the instrument from the natural horn to the modern horn and its expansive repertoire. Numerous dissertations, theses, and treatises illuminate specific elements of the horn's solo repertoire; however, no scholar has produced a…
Descriptors: Music Education, Musical Instruments, Musical Composition, Performance