This study examines the educational journey and professional challenges faced by performing artists holding a Bachelor of Fine Arts (BFA) degree. Utilizing an Interpretative Phenomenological Analysis (IPA) methodology, the research delves into the lived experiences of ten BFA holders in the performing arts, exploring their motivations, career…

This dissertation explores the relationship between US acting, actor training, and the sociology of theatre. Using the cultural criticism of notable Western Marxists, it argues that the profession of US acting has become a commodified enterprise, most especially since the 1970s and 80s. By using the now defunct League of Professional Theatre…