Conveys the importance of student teaching for developing and further exploring preconceived beliefs about classroom management. Recognizes role identity and the cooperating teacher as having the most impact on student teachers. Stresses that when placing the student teacher with a cooperating teacher, the university should attempt to match their…

Suggests expanding the eclectic nature of a band program by creating a steel band, a Caribbean-based percussion ensemble. The steel band complements multicultural education and attracts students to the music program. Discusses maintenance, repertoire, and performance. Includes classification of pans and a list of schools with established programs.…

Advocates using portfolio assessment in music education, more as a teaching tool than a final evaluative instrument. Explains those advantages and disadvantages of portfolio assessment that are peculiar to music education. Discusses materials for inclusion. (MJP)

Illustrates the possibilities for teaching and learning music materials using interactive multimedia. Uses HyperCard as a model to discuss how interactive media works and suggests some possible applications. Briefly describes some authoring programs. (MJP)

Defines the role of the music specialist in designing and implementing a discipline-based music education program. Discusses team teaching and other collaborative efforts between the specialist and the classroom teacher. Includes a discipline-based teaching checklist and selected readings for thematic teaching. (MJP)

Examines specific approaches and strategies for teaching discipline-based music education (DBME). DBME incorporates history, aesthetics, and criticism into traditional music education. Discusses creating a DBME unit, what questions to ask, and what resources to use. Includes a sample approach. (MJP)

Maintains that multimedia technology can bridge the gap between visual learners and the aural experience of music. Discusses the efficacy of low-tech approaches such as listening maps where icons in the score denote musical changes and high-tech approaches including multimedia programs. Includes a five-item annotated bibliography. (MJP)

Discusses the need to reach beyond traditional music, especially in urban areas, where the cultural plurality of the United States is reflected in the classrooms. Urges music teachers to guide students toward sensitivity to many types of musical expression. (LS)

Recommends strategies for building and retaining audience interest in musical concerts. Discusses the design of a concert program and the placement of types of musical pieces. Concludes that student ensembles are directly affected by the way conductors present and rehearse the music. (CFR)

Contends that an obsession for competition has permeated all aspects of society, including the artistic environment. Maintains that competition works against creativity and individual development. Recommends eliminating music contests and other competitive practices at the school and college levels. (CFR)

Defines musical improvisation as taking place when a musician's aural and technical facilities combine to create a spontaneous form of musical expression. Discusses the use of improvisation as a means of enhancing student interest and performance. Includes a six-step approach for teaching musical improvisation. (CFR)

Describes a junior high school course in musical composition using Musical Instrument Digital Interface (MIDI) technology. Discusses course objectives and three composition projects. Includes a list of definitions and asserts that MIDI technology offers students and teachers a powerful method to study how music works. (CFR)

Offers suggestions that music teachers can follow for successful interviews when seeking a first teaching job or contemplating a career move. Presents the employment search of a student to examine an introductory videotape and preparations for interviews through simulations. Stresses maintaining positive attitudes. Suggests printed and videotaped…

Asserts that an Advanced Placement (AP) course in music theory offers student musicians opportunities to gain new insight into melody, harmony, and structure. Describes content and teaching methods used in an AP music theory program. Discusses necessary teacher characteristics and maintains that both students and teachers benefit from the course.…

Presents a personal perspective of a young teacher from a rural background and his experiences teaching music in an all-boys high school in New York City's South Bronx. Includes brief recommendations for creative and innovative ideas to motivate students and keep them focused. (MJP)