Summarizes and provides a historical introduction to the work of Emile Jacques-Dalcroze. A turn-of-the-century educator, musician, and theorist, he developed eurythmics. This was a method of teaching music through movement that is still popular. Discusses basic principles of eurythmics and other methods. (MJP)

Focuses on how preservice teachers can develop their classroom management skills. Explains that teachers must improve their personal delivery style, knowledge, and accurate presentation skills. Addresses how to minimize off task behavior, time management, and meeting student needs. Includes a bibliography. (CMK)

Maintains that an educational philosophy grounded in motivation and a positive attitude leads to successful implementation of mainstreaming instructional strategies. Outlines 12 strategies for dealing with mainstreamed students and their diverse needs that include instructional objectives, lesson plans, themes, using tutors and teachers' aides,…

Maintains that inclusion, mainstreaming, and other issues associated with special education are becoming part of music education. Asserts that music teachers have a responsibility to develop the music potential of all students. Describes classroom techniques for meeting the individual needs of special students. (CFR)

Suggests that the bias linking guitars to popular culture has needlessly limited approaches to teaching guitar. Examines how each of five current programs develops different music skills. Advocates a comprehensive, multifaceted program capable of emphasizing student skills in melody, harmony, perception, creativity, and performance over six years…

Suggests ways music teachers can improve their teaching and solve instructional problems by using existing research and conducting their own. Also offers strategies to help music district supervisors encourage effective use of research. Identifies several useful publications as sources of research reports. Includes a chart listing reasons and…

Reports that the developmental process for national standards for K-12 instruction in the arts is nearing completion. Discusses issues and criticisms relevant to the national standards movement and to music education. (CFR)

Asserts that the difference between average marching band performance and the truly memorable performances is a result of creative charting. Discusses four stages of creative thought that can be applied to marching band strategy: (1) preparation; (2) incubation; (3) illumination; and (4) verification. (CFR)

Argues that music teacher education programs must include an early introduction to research methods and findings related to the field. Discusses two research findings that affect nearly all music teachers and should be a part of all music teacher education programs. Includes a list of 13 recommended journals that cover issues related to research…

Contends that many choral programs suffer from a continued dependence on the piano for music learning and intonation. Provides suggestions that will help students develop sight-reading and singing skills that are not centered around the piano, such as creating a sight-reading system and having students read choral music immediately. (CMK)

Recommends all music programs taking an active role in developing programs that promote and teach improvisation. Discusses some simple instructional strategies and models to follow when creating an improvisational program. Includes score selections and a list of selected resources. (MJP)

Presents the results of a survey in which high school choral music students identified teacher behaviors that motivate students in choral rehearsal. Lists and discusses the most effective motivational behaviors: (1) creating a nurturing environment; (2) providing feedback; (3) assigning interesting repertoire; and (4) presenting achievable…

Relates the founding of the Wisconsin Comprehensive Musicianship through Performance (CMP) Project and addresses comprehensive musicianship. Describes the five parts (selection, outcomes, strategies, analysis, and assessment) of the Wisconsin CMP model. Provides an example of how the model works for a specific composition. (CMK)

How the Wichita (Kansas) Public Schools and the Wichita Symphony developed a young people's concert format that is educationally, musically, and logistically sound is described. A spirit of cooperation and interdependence between private and public art organizations is necessary to foster student interest in the arts. (RM)

Zoltan Kodaly had a profound influence on the practice of music education in Hungary and subsequently on adaptations of those practices in the rest of the world. Kodaly's basic principles and goals are discussed, and how his philosophy can be applied in American preschool and K-12 public schools is examined. (RM)