Contends that music educators have not identified how the multicultural education movement will affect the music curriculum. Argues that two positions can be identified: (1) cultural pluralism; and (2) cultural particularism. Discusses the strengths and weaknesses of each position and provides examples of how each might be exemplified through…

Discusses the characteristics of a good vibrato in musical performance. Reviews four types of vibrato used by woodwind performers: (1) diaphragmatic/abdominal vibrato; (2) jaw vibrato; (3) throat vibrato; and (4) lip vibrato. Includes two charts with suggestions for teaching diaphragmatic vibrato and jaw vibrato. (CFR)

Indicates the importance for music teachers to develop their students' musical thinking skills through listening and composition. Explains that, by focusing on convergent and divergent thinking, students will have the skills to compose and analyze music. Gives listening and compositional activities for teachers to use in their classrooms. (CMK)

Contends that the length of time music students practice does not guarantee improvement, but instead students should focus on how they practice in order to improve their skills. Finds that critical thinking activities, such as selecting goals, planning, and evaluating, provide students with the opportunity for improving their practice techniques.…

Maintains that a professionally conducted assessment, both quantitative and qualitative, is the beginning of successful strategic planning. Discusses assessment standards and identifies future assessment models for music education. Considers the use of quantitative and qualitative assessments and addresses what should occur during a three-year…

States that a growing number of schools are installing general computer labs equipped to use notation, accompaniment, and sequencing software independent of MIDI keyboards. Discusses (1) how to configure the software without MIDI keyboards or external sound modules, (2) using the actual MIDI software, (3) inexpensive enhancements, and (4) the…

Discusses the use of standards-based instruction in large ensemble rehearsals and the implementation of the National Standards for Music Education. Provides a sample lesson using "The Ash Grove," a piece arranged for band with notes on lesson preparation and rehearsal strategy. (CMK)

Presents an interview with the flutist, James Galway, in which he discusses issues such as the musical culture of Ireland, his technical mastery as a musician, and the importance of music education in the lives of young people. (CMK)

Focuses on the single-computer approach to using technology in the music classroom. Explores using the classroom game format, the physical setup of the classroom, audio considerations, learning stations, benefits of and obstacles to the one-computer approach, and buying multiple copies of computer software. Lists useful software and presents a…

Describes the project called "U2U," a collaboration among the University of Minnesota School of Music, The University of Minnesota dance department, and two urban public school districts in Minneapolis-St. Paul (Minnesota). Presents strategies for collaboratively developing an interdisciplinary curriculum around William Walton's "Facade." Includes…

Three examples of evaluation forms that music teachers can use to have students evaluate them and their music programs are provided. Teachers should use the evaluation results to make changes for self- and program-improvement. Teachers should let students know what changes are being made. (RM)

Born in 1910, composer William Schuman has been deeply involved with music education, first as a college professor and later a president of the Julliard School of Music. In this interview, Schuman talks about what music means to him, his teaching career, and music in general education. (RM)

The arts statement in the College Board's book "Academic Preparation for College" is discussed. The book recognizes the arts as a necessary academic area of study and defines the necessary arts competencies both for general college success and for advanced artistic study. Its suggestions should be adopted. (RM)

Band directors and state music supervisors were asked if student musicians are exploited at athletic events. This article includes the supervisors' survey tabulations, Minnesota and North Dakota state position papers on band performances, and the responses of three high school and college band directors. (SJL)

Seven string educators respond to questions about repertoire sources for novice players, the teaching of improvisation, weaknesses in current instructional materials, ensemble size, the integration of Suzuki's methods into traditional programs, the problems of a violinist teaching other instruments, and coordination of school and other youth…