Author stressed the role of the symphony orchestra in the development of youth programs for young people and suggested that the development and enrichment of the creative process, which takes place between audience and creator, should be a basic goal of education. (Author/RK)

Article describes how music, being a system of logical thought and a bridge to consciousness, can help the gifted child who cannot always handle his emotions in a culture where the function of the school in furthering the socialization process has been vastly oversold. (Author/MM)

Describes how to develop a choral festival, explaining the importance for the music teacher to plan and set priorities. Discusses what to look for in a conductor and accompanist, how to select the repertoire and facilities, and create the schedule. (CMK)

Recommends that teachers write grants to obtain funds for using technology in music education. Explains that teachers should ask themselves two questions: "Who has funds to give and what do they require the recipient to do?" Provides a list of guidelines, a sample grant proposal, and information about the panel review. (CMK)

Explores how choir directors choose the music repertoire for a concert. Offers six criteria (text, singability, form, part-writing, accompaniment, and instructional implications) when evaluating a piece for use with children. Discusses the process of developing the concert. Includes sources for listings of children's choir octavos and sample…

Article described the potential the music program has and the challenge it faces for the music specialist in the open classroom. (Editor/RK)

Author dealt with techniques for individualizing music education. (Editor/RK)

Presents some important methods in which curriculums and educational structures can meet the needs of society and contribute to human learning. As well, the article points out some areas in which American music education needs to change. (Author/RK)

The identification of the structure of musical knowledge and of the stages of the learning process provide a basis upon which the teacher can structure the open classroom environment with assurance that the learning will be as logical as the student allows it to be. (Author)

Stuart Ling reports from his tour of exemplary music programs that many teachers are overcoming the common logistical and economic problems of this time of retrenchment. Donald Nitz is more pessimistic, asserting that music education is clinging to a tenuous status quo after the bright promise of the 1960s. (SJL)

Explains how to plan a choir rehearsal schedule. Offers two examples of how to plan single rehearsals after the schedule is finished, such as for rehearsals involving only two compositions and rehearsals involving four or more works. Provides a discussion of additional planning guidelines. (CMK)

Addresses the training necessary for students who will be teaching music performance in high schools. Discusses the challenges presented by increasing cultural diversity in the classroom and its influence on what music will be taught. Suggests that the expanded curriculum necessarily will be the responsibility of the performance teachers. (DK)

Discusses guidelines for music educators when scheduling conflicts occur involving curricular music performances, both during and after school, by musical groups that practice during school hours. Provides justification for regular attendance and addresses why directors should be flexible in certain cases. Offers the Scheduling-Conflict Resolution…

Musical play is part of children's culture. They sing and dance in rhythmic and pitched patterns alone, together, and with toys, household items, and yard objects. There are, however, cultural variations in how children participate in musical play and at what ages they are expected to play in certain ways. As guardians of children's musical…

Describes an arts in general education program in the Minneapolis school system, its objectives and effects. Discusses the role of the teacher in implementing an AGE program. (RK)