While music is as old as humanity, conducting as a profession is relatively new. Although a nineteenth-century model has served as the template for the training of conductors, many undergraduate conducting students will spend their teaching careers working with inexperienced and/or amateur musicians. Additionally, the size of many ensembles in…

Discussed the efforts of a university to undertake the production of a theatre piece created by Leonard Bernstein. (RK)

The author describes the evolution of the American musical since 1750 and emphasizes the often overlooked importance of the orchestrator. She discusses the talents of several extraordinarily gifted musicians. (KC)

This article provided some basic suggestions on how to get the most out of rehearsal time. (Editor/RK)

The author criticizes the institutons of opera education by delineating the inadequate performance skills often found in their graduates. He makes suggestions for change in opera training systems and professional standards. Part of a theme issue on opera. (SJL)

The author cautions against using a professional concert format for the high school ensemble concert, for they have different audiences and different goals. He suggests a number of ways for making the school ensemble concert a rewarding experience for all involved. (KC)

Observes that the form and structuring of musical rehearsals should be determined by the compositional structure of the work. Explores various rehearsal formats for choral fugues, renaissance chansons, and folk songs. Maintains that this approach develops comprehensive musicianship, promotes aesthetic experience, and makes efficient use of…