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Shieh, Eric; Allsup, Randall Everett – Music Educators Journal, 2016
Musical independence has always been an essential aim of musical instruction. But this objective can refer to everything from high levels of musical expertise to more student choice in the classroom. While most conceptualizations of musical independence emphasize the demonstration of knowledge and skills within particular music traditions, this…
Descriptors: Music, Music Education, Citizen Participation, Expertise
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Tanner, Chris – Music Educators Journal, 2010
In the past few decades, the steel band art form has experienced consistent growth and development in several key respects. For example, in the United States, the sheer number of steel band programs has steadily increased, and it appears that this trend will continue in the future. Additionally, pan builders and tuners have made great strides in…
Descriptors: Conferences (Gatherings), Music Education, Music, Musicians
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Reimer, Bennett – Music Educators Journal, 2004
Music offerings in United States schools have remained largely the same for well over half a century. Basic program consists of general music classes up to and sometimes through middle school and elective performance opportunities in upper elementary grades through high school, primarily focused on band (including jazz groups), orchestra, and…
Descriptors: Musicians, Teacher Education Programs, National Standards, Music
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Scott, Britain; Harrassowitz, Christiane – Music Educators Journal, 2004
The typical music history or appreciation class teaches students to analyze musical elements and think generally about the aesthetics of historical periods but rarely encourages them to consider why the overwhelming majority of the composers discussed are white, European, middle- and upper-class men. Courses on popular music often discuss jazz and…
Descriptors: Females, National Standards, Music, Music Education