It was not long into the author's career as a music educator that they noticed a considerable drop in their own recreational music listening. Any wisp of recreational music listening was typically an accompaniment to an activity or task rather than the main event. This changed dramatically around seven years ago, when a few of their colleagues…

This article describes a project in which contemporary music is studied and created in primary-school classrooms in the presence of a composer. Listening to and analyzing a composer's works fosters musical creation processes in students, who subsequently present and discuss their works in a meeting with the composer. Finally, the students' works…

Research conducted on the development of expressive performance capabilities suggests that children can learn to demonstrate expressiveness in their music-making. Expressivity includes musical interpretation, performance technique, and musical and personal creativity. This article examines creativity as an important component of musical…

Author developed a program of classical music and induced young musicians to perform successfully to an audience. (Author/RK)

Chances are that future music lovers are right now sitting in the orchestra, chorus, band, or general music class, waiting to be enlightened. True, they are working diligently in rehearsals toward excellent intonation in that Schumann transcription, and they seem to be loving the gem of a concert march they've been working on, but are they also…

Author found it imperative to examine cognitive objectives in order to determine which may be relevant to fostering a deeper and more lasting enjoyment of the music in a listening lesson. Suggestions for a productive listening program were offered. (Author/RK)

Described the role of music listening as a vital part of music education. (RK)

The author reviews the problems of providing a comprehensive music literature program to general music students and suggests objectives and activities for such a program at the elementary and secondary grade levels. (SJL)

Contends that only students with performance or composing abilities are given a chance to explore music in their education. Stresses the importance of teaching all students how to listen to music in an active, "minds-on" way instead of only teaching hands-on activities. Challenges the traditional music curriculum by refuting five myths…

Activities are suggested to teach the basic concepts of twelve tone serial technique. Students need no prior background in contemporary music. At least two sets of resonator bars are necessary. (This article is part of a theme issue on aspects of contemporary music.) (Author/SJL)

Explains what music teachers can do in the classroom to promote and develop elementary school students' attention to music learning, listening, and comprehension. States the manner of presentation is critically important. Includes guidelines for classroom teaching and describes various class activities. (NL)

Discusses effective ways to develop and promote educationally sound music programs for preschool children. Covers three types of music learning centers as versatile and inexpensive resources for creating independent learning environments: singing centers, instrument centers, and listening centers. Suggests ideas for group time, and for promoting…

Analyzes factors that affect listening as it relates to school band and orchestra rehearsal. Suggest that music selection, rehearsal atmosphere, and techniques that isolate specific sounds and musical elements best help students develop music listening skills. Urges conductors to promote students' active involvement in rehearsals by balancing…

Argues music educators must holistically address the subjective side of music listening as well as objective properties. States individual perceptions are neglected and students must experience the balance between subjective and objective realities to fully educate the senses. Advocates critical thinking and moving beyond a technical vocabulary to…