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Reynolds, Nicholas – Music Education Research, 2012
A yearlong project into the electronic compositions and compositional approaches of children led the author to investigate theoretical frameworks to support an analysis process that accommodated the capacity to re-live and reinterpret data through the same technologies that were used to create it. An exploration of the hermeneutical approach to…
Descriptors: Music Education, Teaching Methods, Hermeneutics, Musical Composition
Major, Angela E. – Music Education Research, 2008
The aim of this paper is to define music appraisal and to explore the role that talk plays in the process of helping pupils in secondary school music lessons to develop their appraisal skills. This paper offers a definition of appraisal, and traces its developing role in the National Curriculum in England since the early 1990s. The role of…
Descriptors: National Curriculum, Foreign Countries, Teacher Student Relationship, Musical Composition
Elkoshi, Rivka – Music Education Research, 2007
Facing the ambiguous status of in-school music literacy, this follow-up eight-year study aims to touch on the effects of traditional staff notation (SN) learning on student's intuitive symbolizing behavior and musical perception. Subjects were 47 second-graders attending a religious Jewish school in Israel. One "pre-literate" meeting, in…
Descriptors: Foreign Countries, Jews, Case Studies, Musical Composition
Rusinek, Gabriel – Music Education Research, 2007
Although music was established as a compulsory subject in Spain by the 1990 constructivist reform, the 2002 counter-reform restricted it to lists of concepts, in a renewed encyclopaedist model for secondary schools that ignored authentic musical procedures, such as performing or composing. Contemporary adolescents, accustomed to the transmission…
Descriptors: Foreign Countries, Teaching Methods, Educational Change, Music