Cognitive and behavioral studies ranging from biomechanics to motor functions and neural mirroring explorations have extensively investigated the communication of emotions in music and dance. Recognized for their ability to convey and elicit emotions, various studies aim to validate the extent to which auditory expressive cues and embodied…

An experiment aimed at developing creative thinking and emotional literacy in adolescents was carried out. The study involved 25 adolescents aged 14-16 years and their parents--37 people (37-45 years old). Based on the use of the NanoStudio application, a creative improvisation training session was conducted among adolescents in the context of…

Assumption regarding the relationship between creativity and mental disturbances has attracted academic and public interest from antiquity. Research performed in recent years, support these associations and show a disproportionately high rate of mental illnesses, especially bipolar disorder, in creative individuals. In this article, we give…

Creativity involves generating novel concepts and products that are valued by the creator as well as by the public. In this paper, we argue that risk-taking in songwriting increases the likelihood of any individual's product being valued as creative. By reviewing the case histories of several successful songwriters, we show that heightened…

Speech made before a group of students on the subject of creativity based on author's own experiences as an entertainer, poet, songwriter. (CB)

Discussed are sources of creative inspiration noted by composers such as Wagner, Strauss, and Puccini; and charted are discrete steps in creativity common to composers seen as producing works of genius. (IM)

Fifty-eight figure skating trainers from fifteen different countries acted as volunteers in this study on choreography styles. The styles were based on reports of artistic-creative strategies in composing music, drawing, writing poems or novels, and in making dances. The prevalence of the Mozartian (at the onset the choreographer already has a…

The author considers the manner in which children develop awareness of varieties of sound, pitch, and rhythm, and provides an outline for use in a class project in musical composition. (IM)

Author described his own strategy for helping people learn to compose music, which he called the improvisational approach. (Author/RK)

Creative musical experiences appropriate to children's cognitive and psychomotor development should begin in kindergarten. Structured creativity through the process of musical composition can be used at grade 4 and above. Lesson plans using Haiku poetry, penatonic scales, rhythmic durations, and melodic contour to create a song are provided. (VW)

Twenty-two second grade children created musical compositions on an Orff xylophone during an eight-week period and produced accompanying written scores. Analysis showed that, over the period, children improved pattern recognition and increased use of melodic motives, and that writing the score did not inhibit the creative process. (JDD)

Describes an opera based on Peter Pan which was composed, produced, and performed entirely by children in grades one through six. (MB)

Thirty-two high school students were categorized by creativity style (adaptor or innovator) and completed two musical composition problems involving two different degrees of problem-finding behaviors: an open, and a closed, problem. No significant differences due to problem type, creativity style, or the interaction of the two factors was found.…

A study involving 261 composers, 108 inventors, 392 NFL wide receivers, and 112 eminent inventors found that eminent individuals exhibit a greater rate of creative outputs and that the production of outputs deviates from randomness no more than would be expected from chance fluctuation alone, except for some eminent individuals. (Contains…