Explores problems in the relationship between professional arts and art education. Identifies three negative practices used in schools: (1) the oversimplification of art to children, (2) an over-reliance on language to explain art, (3) the fear of allowing mistakes to occur in children's art. (BSR)

Profiles the life and achievements of Marion Richardson, who is credited with developing the child art movement, and inventing Writing and Writing Patterns. The article also traces Richardson's neglected contribution to art education. (BSR)

States that amidst optimism and controversy, discipline-based art education (DBAE) has entered the U.S. art education scene. Attempts to put DBAE in perspective, to identify its roots, and to alleviate the concerns of some about its message. (Author/BSR)

Examines the function of drawing by interviewing a wide range of people engaged in design activities. Promotes drawing for its vital contribution to two areas of design activities, exploration, and manipulation. Maintains that further research is necessary now that design and technology are part of the core curriculum in schools. (KM)

Focuses on a group of children with moderate learning difficulties who exhibited a lack of interest or enjoyment in drawing. Attributes this to a developmental lag in the use of specific forms and drawing skills. Concludes that nonspecialist teachers could benefit from a greater awareness of developmental stages. (MJP)

Discusses the place of design and technology in the national curriculum in England and Wales and its relationship to the art and design curriculum. Outlines the principal recommendations of the reports from the National Curriculum Working Group for Design and Technology. Summarizes the responses to the reports. (KM)

Reproduces the National Society for Education in Art and Design's (NSEAD) response to the report, "Design and Technology for Ages 5 to 16." Comments on attainment targets and statements of attainment, programs of study, profile components and assessments, key issues, and implementation. (KM)

Outlines three methods of introducing original paintings to young children: narratives, finding a consensus, and building on a shared experience. Analyzes the childrens' verbal and artistic responses. (KM)

Describes how the Educational Sector of the Sao Paulo Biennial assists art teachers in introducing contemporary art into the schools. Outlines how students were observed viewing the exhibition and creating artworks. Describes how training programs and materials were provided to help the schools. (KM)

Outlines how an artistically talented English boy has no place to develop his talent. Explores the history of educating gifted children and artists. Compares situation with other countries. Describes the type of institution that would be suitable for educating artistically talented children. (KM)

Examines the effects of wartime trauma on the artistic expression of 35 Bosnian and Croatian children, ages 4-12. Discusses their cognitive development in terms of the Intuitive-Symbolic and Concrete-Operative levels. Includes four examples of representative paintings. (MJP)

Reports a research project that uses photography in media education at the elementary school level. Outlines why photography is an appropriate medium and describes projects and games the children used to explore the meaning of photographs, particularly those in the family album. (KM)

Analyzes drawings by children from a Dutch East Indies exhibition in 1937 organized by educator Johan Toot. Divides the drawings thematically and discusses how the drawings are influenced by various cultures. Describes how Johan Toot worked to replace rote learning with an activity-based education. (KM)

Aims to show that children have a "functional use of drawing" which contrasts with the mechanistic stages model of drawing development. Observes that young children's images often show extended time sequences. Argues that, when considered from this viewpoint, children's drawing abilities develop gradually from a high to a low variety of…

Reports on study of use of fractal geometry in a computer graphics program to improve the perception of intermediate grade level students in their paintings. Finds that students are more likely to use changing shapes and colors after viewing slides of fractal computer graphics. Concludes that fractal computer graphics would make highly engaging…