Discusses the Chinese attitude toward child development and socialization. Offers general comments concerning child rearing. Examines the Chinese emphasis upon performance in the arts. Notes that the Chinese classroom is oriented toward tradition and hierarchy. Compares the differing U.S. and Chinese approaches to basic skills and creativity. (KO)

Examines the role of critical language in film criticism. Compares and contrasts Monroe Beardsley's philosophy on film aesthetics with the New Criticism. Outlines some of the contributions Beardsley has made to the study of film criticism. (KM)

Presents the results of a national survey designed to identify the historical roots of discipline-based art education (DBAE). The survey reviewed several thousand curriculum documents drawn from all fifty states and spanning a 110 year period. (JDH)

Describes aesthetic views and shows how historical context and criticism are crucial for an understanding of aesthetic objects and experiences. Views education and art as providing a meaning for life. Suggests ways in which the author's theories and E. D. Hirsch's provide meaning for Sisyphus's life. (KM)

Discusses the visual arts in relation to cultural literacy. Agrees with E. D. Hirsch that even a superficial acquaintance with certain things can enhance understanding of many others. Propounds upon the general education of undergraduates. Considers what the goal of cultural literacy means for elementary, secondary, and college curricula. (KM)

Describes different theories of art and how they disagree on the question of the way that artworks relate to the circumstance of their origins and use. Discusses how these circumstances influence the way one thinks about artworks. Considers where E. D. Hirsch's ideas on cultural literacy fit into this aesthetic controversy. (KM)

Since the eighteenth century, both artists and art historians have received educational benefits from public art museums. The main function of public museums, however, has usually been the improvement or refinement of public taste. But in addition to education and pleasure, another museum objective is that of moral improvement. (RM)

Shows how discipline-based art education developed, and relates it to Thomas S. Kuhn's theory of paradigm shifts. Critiques Gilbert Clark, Michael Day, and W. Dwaine Greer's theory of disciplined-based art education and highlights mistaken notions in the inquiry methods of curriculum specialists. Concludes that art educators should focus on how…

The purpose of this symposium is to provide readers with a general understanding of Japanese art and aesthetics education and its interaction with other cultures. The essays cover a variety of topics, including historical, cross-cultural, theoretical, and practical perspectives. Following an introduction by Ako Okazaki, the following papers are…

Discusses the psychological context of aesthetic literacy in relation to E. D. Hirsch's ideas on cultural literacy. Argues adults should not interpret artworks for children and notes the implications for curriculum planners. Provides examples of childrens' understanding of art works. Maintains that any curriculum is the interaction of content and…

Analyzes two recent controversies about censorship of arts: Robert Mapplethorpe's photographs and U.S. congressional limits on funding for National Endowment for the Arts. Maintains artistic freedom can be encouraged if all segments of society learn about arts. Recommends that aesthetic education deal with these controversial issues, the social…