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Journal of Aesthetic Education | 8 |
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Stolnitz, Jerome | 1 |
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Spratt, Frederick – Journal of Aesthetic Education, 1987
Asserts that visual literacy will increase in importance as mass communication continues to exploit the use of images as the basic conveyors of information. Explores the role of visual literacy and art production in discipline-based art education. (JDH)
Descriptors: Aesthetic Education, Art Education, Art Products, Higher Education

Hamblen, Karen A. – Journal of Aesthetic Education, 1986
Identifies concepts relevant to aesthetic literacy, suggests possible procedures for instruction, examines different interpretations of aesthetics, and presents a curriculum model for aesthetic literacy. (Author/JDH)
Descriptors: Aesthetic Education, Art Appreciation, Art Products, Course Descriptions

Green, Jon D. – Journal of Aesthetic Education, 1985
The definition and function of visual metaphor in selected paintings and sculptures from Picasso's works are explored. (RM)
Descriptors: Aesthetic Education, Art Education, Higher Education, Metaphors

Goodman, Nelson – Journal of Aesthetic Education, 1985
The primary function of museums is to help museum visitors appreciate and understand what they see. Specific means and methods are suggested, e.g., informative and suggestive labels and a sales desk where the visitor can purchase reminders of what he or she has seen. (RM)
Descriptors: Adult Education, Aesthetic Education, Aesthetic Values, Educational Strategies

Risatti, Howard – Journal of Aesthetic Education, 1987
This paper focuses on the cognitive and social functions of art and the role that art plays in communicating social and personal values. It shows how art criticism can play an important part in the education of all students by fostering critical thinking related to art history, art production, and aesthetics. (Author/JDH)
Descriptors: Aesthetic Education, Art Education, Art History, Cognitive Psychology

Stolnitz, Jerome – Journal of Aesthetic Education, 1984
Whether or not knowledge about the painter Picasso is helpful or indispensable in teaching appreciation of his art is discussed. Three studies by Denis Thomas, Mary M. Gedo, and Frank Elgar that argue that knowledge of Picasso the man helps students understand his paintings are examined. (RM)
Descriptors: Aesthetic Values, Art Appreciation, Art Education, Artists

Degge, Rogena M. – Journal of Aesthetic Education, 1985
An aesthetically based analysis of the visual imagery of commercial television is provided, and the usefulness of television as a basis for visual aesthetic criticism in aesthetic education is considered. Directed, critical inquiry of television can extend knowledge in art and aesthetics and enhance the quality of people's lives. (RM)
Descriptors: Adult Education, Aesthetic Education, Commercial Television, Educational Strategies

Haskell, Francis – Journal of Aesthetic Education, 1985
Since the eighteenth century, both artists and art historians have received educational benefits from public art museums. The main function of public museums, however, has usually been the improvement or refinement of public taste. But in addition to education and pleasure, another museum objective is that of moral improvement. (RM)
Descriptors: Adult Education, Aesthetic Education, Art, Art Education