It is argued that a behavioral objectives approach to dance education is dangerously limited because it is dominated by a particular view of theoretical psychology that attempts to understand skill learning in terms of conditioning and reinforcement. This approach is especially limited in the teaching of creative and expressive dance. (RM)

There is often a resistance to verbal language in the nonverbal arts. Within educational establishments, language does not simply serve the art work or its making; it serves other extraneous goals of legitimation. The link between language and legitimation is striking. Dance education in Great Britain, for example, has recently moved from…