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Brougham, Rose Marie – Hispania, 2019
A grief-stricken daughter calls out to her deceased mother asking if she can see her--"Si me puedes mirar"--and thus recognize her pain. This title appears in Olga Orozco's "Los juegos peligrosos" (1962), an elegy in which a poetic voice (in this case a daughter) laments the loss of her mother, the woman who recognized and…
Descriptors: Poetry, Spanish Literature, Grief, Daughters
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Francis John Troyan; Pete Swanson; Victoria Russell – Hispania, 2023
Both within the field of world language (WL) teacher education and across teacher education in other disciplines, critiques of the edTPA have increased over the past several years. In WL language education, scholars have identified issues related to raters' use of edTPA rubrics and a serious lack of transparency about rater expertise. To better…
Descriptors: Preservice Teachers, Performance Based Assessment, Language Teachers, Teacher Certification
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Lewis, Christopher T. – Hispania, 2016
Joaquim Maria Machado de Assis's poem "Soneto de Natal" and the chapter "Um soneto" from his novel "Dom Casmurro" exhibit striking points of intersection that describe the same process: the creation of a sonnet. In the novel, Bentinho abandons his attempt with only a first and last line. "Soneto de Natal"…
Descriptors: Poetry, Spanish, Imagery, Vocabulary
Thornton, Megan – Hispania, 2014
Salvadoran writer Horacio Castellanos Moya offers a provocative example of postwar cynicism in his 1997 novel "El asco: Thomas Bernhard en San Salvador." By telling the story of Edgardo Vega, an emigrant who returns to El Salvador in the mid-1990s after living in Canada for eighteen years, "El asco" represents the mass exodus…
Descriptors: Authors, War, Novels, Spanish Literature
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Franco, Bridget V. – Hispania, 2015
This paper reveals and analyzes the cinematographic, political, and aesthetic transitions intersecting two Southern Cone films that premiered concurrently in 1991: the award-winning Chilean movie "La frontera" by Ricardo Larraín and the forgotten Argentine independent production "La redada" directed by Rolando Pardo. Despite…
Descriptors: Spanish, Films, Teaching Methods, Democracy
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Romero, Eva Karene – Hispania, 2015
This article directly resulted from the teacher/researcher experience, describing new analyses resulting from subtitling a film for curriculum incorporation: "Tango feroz, la leyenda de Tanguito" (1993). Set in Argentina in the sixties and loosely based on the life of José Alberto Iglesias Correa, also known as Tanguito, this film…
Descriptors: Films, Teaching Methods, Neoliberalism, Females
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LaGreca, Nancy – Hispania, 2012
This study explores the intertextuality between Aurora Caceres's "La rosa muerta" (1914) and the novel "Del amor, del dolor y del vicio" (1898) by her ex-husband, Enrique Gomez Carrillo. Caceres strategically mentions Gomez Carrillo's novel in "La rosa muerta" to invite a reading of her work in dialogue with his. Both narratives follow the sexual…
Descriptors: Sexuality, Females, Novels, Literature
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Kanost, Laura – Hispania, 2010
Francisco Rojas Gonzalez's 1944 novel "La negra Angustias" is recognized as the only novel of the Mexican Revolution that features a black woman military officer. Critics have observed that, although this semi-biographical novel portrays Angustias as a gender nonconformist who seeks justice for women and the poor, the conclusion ushers…
Descriptors: Females, Novels, Mexicans, Blacks
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Ward, Ruth – Hispania, 2010
This article analyzes in the novel Balun Canan by Rosario Castellanos the pain caused by the persistence of neocolonialism in the Comitan region of Chiapas during President Cardenas's land reforms of the 1930s. In this work, the author lays bare personal wounds through the discourse of the variously gendered characters of a culturally mixed…
Descriptors: Novels, Foreign Countries, Land Settlement, Authors