National Core Arts Standards require students to use feedback from peers to refine both their performances and their compositions in the artistic processes of Create and Perform. When asked to give feedback to a peer, many students stop at comments like "It sounds good," and do not naturally give specific, meaningful feedback. Therefore,…

The National Core Arts Standards in general music provide some exciting possibilities for music growth and understanding among our students. For those of us who are still unsure of how to read the standards or implement them in our classrooms, the standards also present some challenges for music educators. This article provides a deeper look into…

Following an overview of the organization of the new National Core Arts Standards, this column provides a listing of the new standards that include terminology related to "world music": "world music," "culture," "cultural," "context," and "authentic." The term "world music" is…

Young teachers often struggle with pacing and the ability to cover more than one or two songs and activities in a single 30-minute general music class. Included in this article are lesson activities that show it is not only possible to include many of the National Standards in a single lesson, but also possible to sing, play, and create in every…

Music video creation provides students a new way to express themselves and become better performers and consumers of media. This article provides a new perspective on Lucy Green's informal music pedagogy by enabling students to create music videos in music classrooms; thus, students are able to create music videos that informally develop…

With the introduction of the New Zealand government's National Standards, there are increasing demands on teachers to provide evidence of student achievement in the areas of numeracy and literacy. As a result, primary school teachers may perceive that there is neither time nor the need for music activities such as singing, which may be viewed…

This article describes an approach to general music where assignments in music improvisation and composition are embedded into the curriculum, that is, creative assignments are given as an outgrowth of curriculum content and directly related to instruction and activities in conceptual learning and skill development in the classroom. Such an…

National Standard 9, "understanding music in relation to history and culture," forms the basis for this article about family traditions found in bluegrass music. With historical information about the roots of bluegrass music in the Old Time tradition, the author provides helpful links and instructional strategies to help general music…

This article discusses the use of hand-clapping games and dances in the music classroom. In addition to their use for teaching music skills and concepts, these games can be quite useful for making cross-disciplinary connections to reinforce the eighth and ninth National Standards for Music Education (Standard 8: understanding relationships between…

Four-year-olds are still learning through discovery of materials. They are excited to share what they have been doing with their parents. And although they are capable of working together under the direction of the teacher, they are much more excited to share individually. This article illustrates how family day in the 4-year-old music class can…

Suggests ways to use the Band-in-a-Box (BIAB) software created by PG Music in the general music classroom. Benefits of the program to music teachers; Key features of BIAB; Basic steps in making an accompaniment in BIAB; Tips on putting in chords; National standards for music education. INSET: Band-in-a-Box Interface.

Provides an annotated bibliography of music related picture books that can be used in the music classroom. Discusses the benefits of using picture books for all ages. Includes books in ten categories, such as instruments, ensembles, and styles of music. (CMK)

Addresses how teachers have too little time to cover all possible music instruction topics in depth. Discusses the use of assessment as a starting place in planning. Asserts that assessment criteria should consider students as accomplished learners and states that music education must focus on what students should know and do. (CMK)

States that sequencing and printing software eliminates the barriers to students composing music. Describes "Master Tracks Pro," a sequencing program, and "Rhapsody," a printing program. Includes a lesson plan for setting pentatonic music to a poem. (CMK)

Explores the development of performance-based assessments from the teacher's perspective. Describes the issues of relevance and representativeness within the context of a rubric designed to assess student development and performance of a rhythmic composition. Discusses three ways a component can be irrelevant, measuring proficiency, and…