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Jones, Jason D. – General Music Today, 2018
Individualized instruction and differentiation are fundamental concepts of the Dalcroze approach to music education. Émile Jaques-Dalcroze believed that students learn to be musical by different modalities. His three core branches, eurhythmics, rhythmic solfège, and improvisation, are intertwined with active listening, positive self-expression,…
Descriptors: Individualized Instruction, Music Education, Creative Activities, Listening
Riley, Patricia – General Music Today, 2016
It is vitally important for students to be creating music from the youngest age, and in all general music class settings. Now that the National Standards have been revised (renamed the National Core Arts Standards) and creating has been elevated to one of three artistic processes, the creative activities of composing, arranging, and improvising…
Descriptors: Music, Music Education, Music Teachers, Musical Composition
Yoo, Hyesoo; Kang, Sangmi – General Music Today, 2014
The purpose of this article is to introduce the characteristics of Korean rhythmic patterns and provide effective ways to teach Korean rhythms based on the theoretical and pedagogical approaches derived from 5,000 years of Korean musical tradition. First, we have provided the fundamental principles of Korean rhythms that represent the culture from…
Descriptors: Music, Music Education, Teaching Methods, Asian Culture
Thibeault, Matthew D. – General Music Today, 2012
This column presents an improvisation game designed to be played by any two musicians from beginner through professional skill level. The author argues that two aspects are critical for success: one, an understanding of the creative power of limits; and, two, the importance of framing the activity as a game. The game, based on the limit of the…
Descriptors: Musicians, Social Environment, Creative Activities, Music Education
Custodero, Lori A. – General Music Today, 2008
In this article, jazz music is used as a lens through which early childhood music pedagogy is viewed, specifically thinking about swing and improvisation--the listening and responding to what is heard and seen, and the openness to possibility. These two concepts are defined by prominent jazz musicians and are traced in the child development…
Descriptors: Music Activities, Music Education, Young Children, Musicians

Marshall, Herbert D. – General Music Today, 2004
Whether one elects to explore and create in the jazz, folk, or other idioms, children need a broad listening experience, a substantial repertoire of patterns, and most important, permission to think outside the box. It is imperative that music teachers create a classroom environment in which divergent thought is valued. Consider how students learn…
Descriptors: Creative Activities, Music, Classroom Techniques, Creativity
Marshall, Herbert D. – General Music Today, 2004
Presents an article about the techniques for enhancing creativity among elementary students. Importance of developing rapport with the students to establish a harmonious learning environment; Need for teaching a wide but simple repertoire of songs, chants and patterns; Significance of developing mirroring games like Simon Says to improve the…
Descriptors: Music Education, Creativity, Elementary School Students, Music