My thoughts on the question of 'Textuality as the Centre of English' were presented at a Roundtable session at the 2020 International Federation for the Teaching of English (IFTE) Conference. Through critical discourse analysis of media and curriculum texts, I highlight how the 'being' of the English subjects is always and already textual in…

This article explores how Australian English teachers can thoughtfully and critically address the cross-curriculum priority 'Asia and Australia's engagement with Asia' in secondary classrooms. It builds on our prior research, which highlighted factors that shape teacher attitudes towards addressing this cross-curriculum priority, the perceived…

Examines the teaching of poetry in Australian schools as it has been attempted in the past few decades and questions whether poetry teaching can be more successful even with the new understandings of language development and literary response. (HOD)

Argues that reading literature broadens possibilities for the writing of literature, expanding not only the students' range of style but the topics about which it is permissible to write. Posits that teachers should introduce new kinds of writing to students so they will perceive more possibilities and open up as writers. (JC)

The reviews of instructional materials in this focused journal are arranged into the following sections: extended reviews, writing and reading, source books and course books, fiction, poetry, drama, computers and media, and reference books. (HOD)

Suggests that while teachers may wish to guide students in their reading of literature--to give them only "good" literature and to help them see the "right" interpretations of it--such guidance leaves students' understanding to chance, and does not help them choose to think and construct values of their own. (JC)

Offers a plan for teaching the poetry of Wilfred Owen by having students develop meaning with a dramatic reading of a poem, interpretive music or dance, or artwork. Notes that the method seems to have fostered better understanding and student "ownership" of Owen's poetry in the class that first used this method. (JC)