Reveals the ways college curricula influence secondary school reading lists, and examines how and why definitions of "classic" literature change. (JL)

Believes that young people need contemporary authors who maintain the tradition of the classics. Notes that sometimes the language of the classics seems stilted and overly formal to students. Suggests having students read contemporary and classic novels together. Explores how teachers might link the novels of Louise Plummer and Jane Austen. (SG)

Describes how high school students can give J. Alfred Prufrock (from T.S. Eliot's serious poem "The Love Song of J. Alfred Prufrock") a "makeover" so he can acquire more self-confidence. Shows how this makeover exercise can lead students to a deeper general understanding and appreciation of complex literary characters and of a…

Points out the importance of making students aware of the role stereotypes play in literature and popular culture. Examines several examples of sex stereotypes found in literary classics and offers suggestions for dealing with them. (JL)

Argues that humor is an invaluable teaching tool in English classes. Describes how the author and her students: found humor an important means of discovering profound truths in Shakespeare's dramas; enjoyed the epic "Paradise Lost"; worked with satire in Chaucer; and used humor in students' own creative activities. (SR)

Argues that the Bible is a classic in a class by itself, and discusses why secondary students need to study it. Notes legal interpretations that guide Bible teachers and students. Describes how secondary English teachers are successfully teaching the Bible in several schools across the country, and discusses literary allusions, bible versions,…

Describes two gaming strategies which teach poetry using quotations extracted from six Shakespeare plays. Discusses selecting plays and quotations, games for matching quotations, and providing synopses and introducing characters. Describes in detail learning objectives, player distribution, adjudicator role, procedures and rules, and debriefing…

Describes a high school elective English course that matches books of American Literature, at least one classic and one contemporary, so that students can begin to see the patterns. Discusses some of these pairings, such as Hawthorne's "The Scarlet Letter" with Toni Morrison's "Beloved" and B. Mukherjee's "The Holder of the World." (SR)

Describes how an English teacher slowed down her class and took out certain activities, in order to put in reflection. Relates how she now requires (and teaches) students to reflect on what the things they read actually mean to them, their beliefs and their lives. Shows students relating to the classics in vivid ways. (SR)

Presents a high school student's description in class of her deep connection to Hester Prynne in Nathaniel Hawthorne's "The Scarlet Letter," and how it offers a glimpse of the vast interior lives of women. (SR)

Recounts how an experience in a high school English class convinced a teacher that he wanted to teach literature and taught him the proper attitude toward the teaching of the classics. (JL)

Various contributors recommend "The Odyssey,""Julius Caesar,""A Dog's Tale,""Ivanhoe,""Star Wars,""The Red Badge of Courage,""Demian,""Antigone,""Children of Crisis," and "Frankenstein" for use in literature classes and justify their recommendations. (JL)

Considers how high school students can see reading "The Canterbury Tales" as daunting. Shares a series of units of study "combining the literary and the vulgar" that fully engage the students with the text. Suggests that with a masterpiece like "The Canterbury Tales," students are better served when educators take it…

Argues that it is time to legitimize the whole of literature for students and reject without qualms the presumption that certain books are more fit to be read than others. Argues that educators deny students gems by proffering them a list of great works, and that this "bulldozing mentality" damages an already fragile acceptance of reading. (SR)

Describes an efficient, open-ended set of instructional activities for high school students that has students analyze song lyrics of R.E.M. (an alternative rock band from Athens, Georgia) for literary techniques, topics, themes, and form as preparation to experiment with reading, deciphering, and mimicking Emily Dickinson. (SR)