Relates a student's experience writing a college application essay. Argues that switching topics should be redefined as global revision, a "pregnant pause" providing evidence of recursivity, and that adolescent writers who talk about their emerging texts are more likely to reconceptualize their written documents. (SR)

Notes that when students write and exchange poetry and letters, they feel drawn by the responsiveness to their words of "real" audiences. Argues that students sharing letters and poetry give voice to ranges of experience, to name features of their worlds that might otherwise have remained unnamed. (RS)

Discusses how language arts skills are prerequisite for nearly every occupation. Considers the problem that many prerequisite skills remain hidden until the worker is actually on the job. Notes that for students, the link between school and work is unclear. Looks more in-depth at the language arts demands of police work. (SG)

Suggests a number of teaching strategies that can be used for the development of authentic voices (instead of institutional, depersonalized voices) in student writing. Focuses on the importance of students' choosing their own topic, developing audience awareness, and making connections between their own lives and literature. (TB)

Describes how a university professor collaborated with a ninth-grade English teacher in a research project aimed at studying the collaborative writing processes of the students. Analyzes the various collaborative writing processes of the students, including audience awareness, planning, and revising. (HB)

Puts forth a plan for raising student consciousness about audience through peer evaluation sessions. Targets three areas of effective autobiographical writing: an engaging opening; focus; and showing, not telling. Discusses grading rubrics for these categories appropriate for student readers. (TB)

Describes a four week collaborative writing unit designed to develop students' sense of audience by producing a magazine to orient fifth grade students to junior high school. Discusses how students developed the idea, conducted interviews, wrote articles, used computers to produce the magazine, and distributed copies of their magazine. (RS)

Gives seven responses from practicing English teachers concerning ways that they have implemented the writing of various kinds of letters by students into the English curriculum. Demonstrates the efficacy and success of such methods. (HB)

Presents a transcript of an interview with successful young adult author Jerry Spinelli. Describes the techniques and writing strategies used by Spinelli. Discusses ways of generating stories, and the author's concept of his audience. (HB)

Asserts that role-playing peer-response groups provide effective feedback and help students develop a sense of the characteristics of a particular audience. Illustrates with a sample lesson (a college application essay) by outlining five steps of the process. Offers other uses of the role-playing peer-response groups method. (PRA)

Describes two projects undertaken with the author's high school English classes in which students chose writing they wished to share with their own community, and then published it, in one case selling their class anthology to selected businesses around town. Describes the increase in enthusiasm for writing and care and professionalism caused by…

Describes a flexible format for a literature unit which avoids the problems associated with a structure which is too rigid or allows too much latitude for students. Notes that the students produce some excellent thinking and writing. (MG)