Discovers the lack of attention given to plays for young adults in most published booklists, and follows with a list of recent works for junior and senior high readers. (CRH)

High school teacher John Golden provides a variety of literature, film scenes, and classroom activities to introduce literary, cinematic, and theatrical elements. He shows students how to move beyond basic comparisons as students learn to analyze the techniques and changes film directors choose when translating literature to the screen. (Contains…

In this article, the author discusses how to consolidate schools where enrollment have dropped significantly. In addition to financial concerns, effective and developmentally appropriate curriculum choices are important. The author states that the "core" academic courses must be offered no matter the configuration of the schools, but…

Describes a program of half-hour, lunch period, dramatic productions staged by high school students. (DD)

Description of the techniques used to create relaxed environment in a high school acting class. (SP)

Discusses the quality and value to students of recent Broadway plays. Noting that dramatic output is limited in size and content, recommends the use of an international English-language repertory for the education of young students. Cites British, Australian, Canadian, Caribbean, African and South African authors. (JG)

Proposes three theatrical games by which elements of literary experience may be made dramatic. (DD)

Demonstrates the usefulness of readers theater in the literature class. (DD)

Provides the responses of seven practicing English teachers to the questions, "How do you use dramatics in your classroom? How do you introduce your students to live theater?" (HB)

A teacher in the high school drama club recounts the experience of producing a controversial play about teenagers, "Sometimes I Wake Up in the Middle of the Night." Reports initial apprehensions and eventual satisfaction of actors, the drama coach, and audience members. (JG)

Describes the following features of the Cutler Playwrights Festival: (1) the contest, which involves publicity and choosing a play; (2) the workshop, in which the play's content, expert, release time, size, and follow-up are decided; and (3) the production, which determines the cast and crew and the final performance. (JD)

Joy A. Fowler, Department Chair, Writing Department, School for Creative and Performing Arts, Ohio talks about his courses offered at his school, theories and learning used, interdisciplinary opportunities available at his school and other related matters. Talking about cultural and linguistic diversity he says that as it is observed that writing…

Describes a junior high school program offering drama as a course elective. Cites fairy tales, and Western or melodramatic plays as most effective for student involvement; recommends avoiding those about teenagers. Notes educational advantages of this program for handicapped, special education, disruptive, and low reading skills students. (JG)

Discusses the value of teaching and producing contemporary plays as well as classics in high school. Argues for the superior interest level of challenging, low-budget, relevant dramas recently appearing on the young adult scene, such as those by Jerome McDonough and Hindi Brooks. Includes an annotated bibliography of young adult drama. (JG)

A report from the Educational Resources Information Center at the National Council of Teachers of English; ERIC abstracts of pertinent documents are included. (RD)